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Bebop Spoken There

Ambrose Akinmusire: “I love teaching, and I love the exchange. And I’m starting to accept my role as a mentor. That sounds weird to say. But I can’t avoid the fact that there are younger musicians who are watching me.” – (Down Beat September 2017).

Mike Gibbs: “Rehearsals are a chance for players to learn my degree of vagueness.” – (Jazzwise September 2017).

Archives

Thursday September 21

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. 1:30pm. Free. 01325 463262.

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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Courtney Pine: Black Notes from the Deep - Sage Gateshead NE8 2JR. 7:30pm. £25.60. 0191 4434661.
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Katie Mac (w. 6 piece band) - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.
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Emma Fisk & James Birkett - St. Cuthbert's Church, Shadforth DH6 1LF. 7:30pm.
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Pocket Jazz Orchestra: Jazz & Tapas - No. 60, Arc, Dovecote St., Stockton TS18 1LL. 7pm. £10.
Tees Hot Club w. Alan Marshall (saxes); Kevin Eland (trumpet); Ted Pearce (keys) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 06, 2017

Alan Glen Trio @ The Fox Inn - September 5

Alan Glen (piano), John Pope (double bass) & Paul Wight (drums)
(Review by Russell)
Hexham Jazz Club at the Fox Inn. The kind of jazz gig that shouldn’t work but it does. A one room hostelry frequented by locals there to enjoy a quiet pint, a small (old school dimensions) television, sound muted, perched above the bar (Moldova v Wales), the food offer of the traditional variety…a packet of crisps or a bag of salted peanuts. A proper pub.

An easy going publican with a sympathetic ear for jazz, a determined hard core of jazz enthusiasts booking musicians on a monthly basis and that essential element, the belief that someone will turn up. Tonight’s bass player, Mr John Pope, almost didn’t. Turn up, that is. On social media JP posted a comment to the effect that he fancied going to a jam session in Newcastle. The jazz network let it be known that he had an engagement elsewhere…the Fox Inn, Hexham, 8:00pm. JP needs a diary secretary! Hang on a minute! Eight o’clock? Several phone calls later, eight o’clock was confirmed. Jazz gigs at the Fox always start at 9:00pm. The new time, news to some, almost caught out some including the bass player, John Pope. At about ten past eight, the evening’s star attraction, pianist Alan Glen, wondered out loud where JP could be. As if by magic, JP’s green mop top appeared as his bull fiddle led him through the front door. Master pianist Glen sat unperturbed enjoying a pint as drummer Paul Wight greeted JP offering to buy him a drink. JP: I’ll have a pint of beer. Oh, well.

Deuchar’s (the house beer), convivial company and, at twenty minutes past the hour, the Alan Glen Trio! Mr Glen doesn’t do announcements, Mr Glen plays piano. A pub quiz of sorts ensued: Guess the Tune! Glen’s modern jazz piano playing has held audiences rapt for many a year and his intros are forever foxing (ouch!) listeners. Love for Sale, Stella by Starlight, the blokes over at the bar (all blokes, it’s that kind of pub) were listening, heads nodding, as maestro Glen gave a masterclass.

Alan Glen observes the jazz piano trio format; verse, chorus upon chorus, bass solo, fours. Four as it happens led to a GAS book double delight…I Fall in Love Too Easily followed by Beautiful Love. A Deuchar’s refill as Woody ‘n’ You brought the first set to a close, interval chatter, the second set would be just as good.

The trio resumed with Solar. Glen’s improvisations never cease to amaze. Bass and drums – Pope and Wight – have been working long enough with the veteran modernist to know what he’s about. Pope’s solos frequently impressed, and Wight’s propulsive drumming spurred the trio onto greater heights. ‘Sid’ Wight’s brushwork on ‘S Wonderful perhaps makes the case for playing the majority of Glen’s set without sticks. Brushes work well in this format with sticks an option for the up tempo cookin’ numbers. Maestro Glen composes tunes and on this Hexham Jazz Club date chose to play Rolling Sid in memory of friend and band mate Ray Truscott, who, for many years, lived in this part of the world. Alan Glen’s next masterclass is scheduled for Sunday 15 October at the Jazz Co-op on Railway Street in Newcastle.                         

Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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