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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Fred Rowe Funeral Arrangements

The funeral of well-respected and much-loved trumpet player Fred Rowe will take place on Wednesday, December 13 at 14:00 hrs: Lytham Crematorium (Regent Ave, Lytham Saint Annes FY8 4AB). Afterwards - All warmly welcome for refreshments at 2 Chapel Close, Wesham, Preston PR4 3HB.
No flowers by request donations to Parkinson's UK. Should you wish to donate to Parkinson’s research, please contact the Funeral Directors (J & A Porter Funeral Services, Windsor Court, Windsor Road, Ansdell, Lytham St Annes, Lancashire FY8 1AH. Tel: 01253735423) or place in a collection box that will be provided at the end of the service.
"Please do come along, we would love to see as many of Fred’s friends as possible" - Joan Rowe and family.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Sunday December 10

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Blue Jazz Sextet - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Article XI & Favourite Animals - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. 8pm. £8 (£6 conc.) JNE.

Classic Swing - The Kittiwake, Claremont Crescent, Whitley Bay NE26 3HL. Tel: 0191 251 3977. 6:00pm. New weekly residency.

Durham Alumni Big Band + Durham County Youth Big Band - The Keys, Skinnergate, Darlington DL3 7LX. Tel: 01325 394222. 6:00pm. £6.00. Note change of venue.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Last one of 2017

Chris Martin & Scott Wainwright - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 10, 2017

House of the Black Gardenia @ Billy Bootleggers - Dec 9

(Review by Russell)
A third gig of the day for your correspondent. Arriving at Billy Bootleggers during the interval sometime around ten thirty, the joint was jumpin’. The basement juke joint on Nelson Street has rapidly established itself as the place to hang out, be seen, dance, drink beer (American, buddy) and hear the best dirt-kickin’ roadhouse blues, jazz and hokum east of the Mississippi.
The beer flowing (Shipyard Brewing Company, Portland, Maine), standing (and dancing) room only all night long, the House of the Black Gardenia were about to begin their second set. Frontwoman, the fabulous Bobbi Charleston, strapped on her washboard, the boys in the band ready to go, Blue Drag then Viper Mad. The band, all waistcoats and braces, stepped right out of Steinbeck’s Grapes of Wrath to play some of the best stuff you’re ever likely to hear. Detached, dead-eye characters on the stand looked on as the revellers danced the night away. Bassist and sousaphonist Neil Hopper didn’t blink, similarly, guitarist Michael Littlefield (frontman with the King Bees) stared, vacantly, into the middle distance, looking not unlike an ‘other world’ Manouche.

The Lambton Big Band @ The Black Swan - Dec 9

Descending the stairs on a cold winter’s night it was good to feel the warmth from the Black Swan bar. From Newcastle Arts Centre’s freezing courtyard to a positively tropical basement venue, the debut performance by the recently formed Lambton Big Band was almost upon us. The band had worked hard to promote the gig and reaped the rewards with an audience nudging well into three figures.
Band MD Callum Mellis made himself available greeting the arrival of family, friends and a host of supporters bringing with them seasonal goodwill. Suited and booted, the Lambton Big Band hit the ground running with a varied set list; In the Mood to a Stevie Wonder medley – Isn’t She Lovely to Sir Duke – to a first appearance from the band’s singer Therese singing Feeling Good. The ensemble work impressive, with Therese no doubt flying high on adrenaline. A collective clicking of fingers signalled Moondance. Therese would later return to the stage.
Mellis played good flugelhorn during an inevitable Christmas medley – White Christmas to a tinsel-covered Jingle Bells with Alex Thompson giving it a blast on baritone. The Lambton Big Band was well and truly up and running. Cameras clicked and cameras flashed, ensuring this debut concert by the Lambton Big Band would be comprehensively documented!

Review of the year - Ashington Jazz Club

It was about this time last year that I had a call from Bob Wade asking if I was the John Taylor who ran Ashington Jazz Club. I told him that unfortunately, the club had closed. We talked at length about jazz in the North and Bob’s involvement with the South African Jazz Scene. Bob said that we had a lot in common – as he put it synergy.
During the winter I helped Bob and his wife Gill move into their new UK home. Six months after playing in SA I got Bob his first blow with Don Fairley. The rest is history. Bob gave me the motivation to start the club up again.

Saturday, December 09, 2017

The Early Bird Band @ The Jazz Café - Dec 9

James Metcalf (trumpet), Matthew Downey (guitar), Ben Lawrence (keyboards), Alex Shipsey (bass) & Rory Gardener (drums) + Paul Edis (tenor saxophone & flute) 
(Review by Russell)
One or two changes to the usual line-up today – the Thompsons weren’t available due to recording commitments and guitarist Matthew Downey would soon dash to a show engagement. Busy young men are the Early Birds! Occasional drum dep Rory Gardener made good use of the house kit and pianist Ben Lawrence sat at the Caff’s Nord keyboard. MD Paul Edis informed the audience that in today’s setlist there would be a Christmassy element…bah humbug!

Ayanna Witter-Johnson @ The Black Swan December 7

Ayanna Witter-Johnson (cello/keys/voice).
(Review by Steve H/photo courtesy of Mike Tilley from archives)
Ayanna Witter-Johnson made a more than welcome return to Newcastle at The Black Swan, virtually a year after appearing the Jazz Café. Everything I said in the review of that gig still applies The audience ….. were rewarded with a performance of charm, elegance, and sheer quality’. Her performance on Thursday night seemed to be more relaxed and confident than previously and there were some new songs to appreciate and enjoy. A measure of just how comfortable Witter-Johnson felt on stage was that she invited questions from the audience in between numbers. 

Leeds Lord Mayor Gets Jazzy!

The Lord Mayor, Cllr Jane Dowson will be a guest at the tenth anniversary Jazz Party held this Sunday afternoon 10 December at Seven Arts Chapel Allerton Leeds.
It’s 10 years since voluntary jazz promoters Seven Jazz started at Seven Arts who last year picked up the prestigious UK Parliamentary Jazz award in 2016 for best UK jazz club and this will be the last concert under the club’s old name.
We’ll be announcing some exciting news for 2018 – there is to be a new six-day Jazzleeds festival (July 20-25th 2018) at city centre venues including the Wardrobe, the College of Music and Millennium Square and featuring jazz stars like Soweto Kinch and Greg Abate and including a jazz play by Leeds author Chris Nickson and a celebration of the music of Duke Ellington marking 60 years since his famous visit to Leeds in 1958.

Friday, December 08, 2017

The Improvisers' Workshop Ensemble - “Magic Mirrors" @ The Jazz Café - December 1

Nigel of Coalburns (Voice & Toys) / Gabriele Heller (Voice & Objects) / John Harrison (Saxophone) / Thomas Dixon (Saxophone) / Karen Rann (Saxophone) / Crispian Heath (Acoustic Guitar) / Martin Donkin (Electric Guitar) / Paul Taylor (Keyboards) Tobias lllingworth (Keyboards and other instrumentation) / Wesley Stephenson (Drums and Percussion)
(Review/photo by Ken Drew).
“Gathering monthly for sessions at The Bridge Hotel 'The Improvisers' Workshop' is a space where people interested in sound and improvisation gather to play, discuss and explore the nature and mysteries of improvisation. These sessions often result in different games and strategies used as vehicles for the improvisation that takes place. "Magic Mirrors" was such an idea that was conceived for a performance by the ensemble.
As a durational piece “Magic Mirrors” explores the space where a large group ensemble works in unison, and the way that unity dissolves and breaks into smaller groupings of players or soloists, which may also be symbolised by silence. Through mirroring and a Chinese whispers style of communication, the growth of the music is shaped by the decisions of the players and the way they choose to mirror, this could be rhythmically, tonally, texturally, emotionally or any such inspiration of their own choosing.”

The Zoe Gilby University Group - “Constellation Jam" @ Jazz Café - December 1

Zoë Gilby (Mentor and Vocals) / Grace Alexander (Keyboard) / Ross Barnes (Bass) / Oliver Cobb (Guitar) / Amber Cox (Vocals) / Will Earl (Drums & Percussion) / Chris McMahon (Drums & Percussion)
 (Review/photos by Ken Drew)
“For the past four weeks, vocalist and songwriter Zoë Gilby has been running a series of workshops for the postgraduate music students of Newcastle University, culminating in this final performance for the students "History of Jazz" module.  Also, as part of Jazz North East’s ‘Women Make Music' series, this composition Constellation Jam illustrates the evolving nature of jazz.  Accepting no boundaries, the constant progression of this particular genre of music has entertained and inspired modern popular music and beyond.  The concept of this piece highlights the importance and integral need for jazz to be always changing. Often not to everyone’s taste, but never compromising, always a curious adventure.”

And still undefeated...

February listings from Ronnie Scott's includes the following: (Photo courtesy of Roly).
Sun 4 Feb ENGINES ORCHESTRA feat. FEMI TEMOWO
The Engines Orchestra unites London’s most adventurous young classical, jazz, world and folk musicians in a community that works closely with other artists to push the boundaries and develop audiences for groundbreaking, new music. They work with composers from all genres, animators, filmmakers and dancers to create accessible ways into challenging environments. 

Riviera Quartet @ Empty Shop, Durham - December 7

Pete Tanton (trumpet, flugelhorn & vocals), Mark Williams (guitar), John Pope (double bass) & Russ Morgan (drums)
(Review by Russell)
35c Framwellgate Bridge, Durham. Empty Shop was open for business on a freezing winter’s night. Upon arrival, proprietor Carlo just happened to be at the speakeasy’s door. Many in? enquired your correspondent. Yeah said our welcoming host. At the top of the stairs a ‘hello’ to JP, Mr John Pope. The bar snuggly warm, a Pinot Grigio and a bottle of Pavlov’s Dog the order, MC Tony Eales hadn’t reserved seats…tut tut! 

Thursday, December 07, 2017

CD Review: Eric Byrd Trio - Saints Are Still Marching

Eric Byrd (piano/vocal *); Bhagwan Khalsa (bass); Alphonso Young Jr. (drums); + Terell Stafford (trumpet**); Tim Warfield (sax**).
(Review by Lance).
Back in the day when, as a callow youth, I first endeavored to penetrate the jazz curtain I discovered there were certain rites of passage. If it was a modern/bop gig, wearing your sharp suit, slim-jim tie and crewcut hairstyle you hollered for the band to play Dizzy Gillespie's The Champ. If, on the other hand, it was a New Orleans style band (Trad had yet to be invented) wearing your duffle coat, sloppy-joe sweater and, sans deodorant, you shouted for The Saints.
Both of them rather inane tunes.
However, in the right hands, water can be turned into wine.

Gregory Porter headlines Jazz FM Christmas Show


Gregory Porter is one of a host of jazz celebrities hosting programmes over the Festive Period. If you're snowed in or have a few bottles of Jack Daniels to dispose of or even if you just want to hear some good jazz then Jazz FM is the place to be!
Lance 
Details here.

Wednesday, December 06, 2017

James Birkett & Bradley Johnston @ St George’s URC, Morpeth - Dec 6

James Birkett (guitar) & Bradley Johnston (guitar)
(Review/Photos by Russell)
St George’s autumn concert series concluded with a lunchtime ‘recital’ by guitarists James Birkett and Bradley Johnston. Billed as a ‘recital’ rather than a gig, the lunchtime audience wasn’t about to break into fervent applause anytime soon. A jazz gig audience wouldn’t have hesitated, but, here in Morpeth, St George’s Wednesday regulars no doubt remain quiet during a classical recital or folk performance. A sizeable audience greeted Birkett and Johnston as they took to the stage with rather nice Ibanez guitars in hand.

Tyne Valley Big Band @ The Fox, Hexham - Dec 5

(Review/photos by Russell - final photo taken from behind his baritone sax is by John Knapton)
Modest one-room pub + big band = a fun night out. Arriving at the Fox, Hexham Jazz Club’s HQ, it appeared a furniture removals business was in the process of clearing the place. Hang on…it’s the band rearranging the room! The pub’s usual bay window stage area would become front row seats for the evening as the regular seating was requisitioned by the band, that’s the twenty three-strong Tyne Valley Big Band.

Sandrani @ the Jazz Café - November 24

Vanessa Rani (vocals);  Upneet Singh (tabla); Joe Harris (guitar)
(Review/Photos by Ken Drew) 
We saw Rani here last year as part of the Masala Festival in July, and the year before, with her band Manjula. Tonight was a different mix, a trio with tabla, guitar and voice. A stripped-down version of Manjula perhaps, but just as beguiling. Featuring musicians of Indian, English, and Mauritian heritages, this trio creates a progressive style of global music which fuses together classical Indian Raag and folk song with Western-style grooves and improvisations. Each of the players contributes to the mix so that experimentation and innovation are always present in a sound that is unique yet wholly accessible.

CD Review: Tony Tixier - Life of Sensitive Creatures

Tony Tixier (piano/comp.); Karl McComas-Reichl (bass); Tommy Crane (drums).
(Review by Lance).
A collection of Tixier compositions interspersed with a few 'sweeteners' that are sufficiently stirred to be almost originals in their own right. Tight Like This is nothing like the Armstrong tune although it purports to be the same and is actually none the worse for that. French-born, NYC based, Tixier is described as being as much inspired by Ravel and Tatum as Hancock, Jarrett or Ayden Esin. Either way is good enough for me.
Darn That Dream brings to mind Bill Evans and McComas-Reichl's bass solo is fit to stand alongside any of the great bassists past and present - an absolute gem.

Tuesday, December 05, 2017

KAPOK @ Jazz Café - November 28

Morris Kliphuis (French Horn, cornet, synth), Timon Koomen (guitars), Remco Menting (percussion, vibraphone)
(Review/photos by Ken Drew) 
Kapok has an unusual line-up for a trio playing jazz. They have a principal line-up of French horn, guitar and drums, but with the addition of synth, vibraphone and second guitar.
The Dutch band are on a 5 venue tour of the UK, and Newcastle (JNE) was 4th on the tour. Formed in 2011 they soon established themselves as one of the most original and exciting live bands in the Netherlands the through their stylistic versatility.  Jazz is at the heart of everything they do, but their performances segue seamlessly through indie, metal, hip-hop and Americana.

The Bold Big Band @ The Dun Cow, Jesmond - December 3

(Review by Russell)
The Dun Cow in Brandling Village, Jesmond, recently reopened following extensive refurbishment. The Brandling, as was, is the new watering hole of students and anyone else who lives in the area and, indeed, further afield. An open plan public house with a conservatory extension to one end, a range of beers at the bar, just the place for a quiet Sunday evening drink.     
Bebop Spoken Here accepted an invitation to attend the inaugural performance of a new big band.
The Dun Cow’s conservatory extension transformed, for one night only, into a makeshift stage was hoping to squeeze in an eighteen-piece big band - the Bold Big Band. Five reeds, three out front, a second line of two, three trombones, the bass ’bone man in the second row, it was a little cramped! Two drummers, sharing kit and percussion duties, a guitarist at the back (heard but not seen!), and a singing bass player. Oh! And a partially obscured piano player to one side.

Monday, December 04, 2017

CD Review: Dave Askren Jeff Benedict - Come Together

Jeff Benedict (saxes); Dave Askren (guitar); Joe Bagg (organ); Paul Romaine (drums).
(Review by Lance)
Think Jimmy Smith, Shirley Scott, Stanley Turrentine and you get the idea. Punchy grooves and riffs based on familiar changes. Maybe the roots are in the seventies but the branches stretch from the start of time to tomorrow morning, maybe later. Four groove merchants well versed in the idiom capable of dissecting an unexpected piece - the title track, the Beatles' Come Together for example - and, you've guessed it, coming back together totally transformed.

Sunday, December 03, 2017

Jasper Høiby Masterclass @ The Music Department, Durham University - December 2

(Report by Russell)
Lunchtime, Saturday, Palace Green. The ‘Green’ was covered by the biggest marquee ever seen this side of a so-called ‘high society’ wedding ‘do’. A Christmas market, three quid admission and the place was buzzing. The adjacent Durham Cathedral was open for business, doing very nicely, as was Durham Castle on the other side of the temporarily covered ‘Green’, thank you very much.

Durham University Jazz Society invited Jasper Høiby to conduct a masterclass on Palace Green. The London-based Dane happened to be ‘up north’ in Wakefield on Friday evening with his band Fellow Creatures and an afternoon engagement in Durham the next day appeared to be an ideal arrangement for all concerned as Durham Cathedral’s bells rang out.

Jambone @ Ushaw College - Dec 1

Paul Edis (MD); Emily McDermott (vocal); Alex Thompson (clarinet); James Metcalf, Lucien Guest (trumpet); Ben Lawrence (piano); Ryan Da Silva (baritone); Matthew Downey (guitar); Alex Shipsey (bass); Dylan Thompson (drums); ? (trombone); ??? (saxes)
(Review by Jerry)
Kicking off a great evening of jazz at Ushaw we had a “mini-set” from tomorrow’s stars, Jambone, featuring three originals from MD, Paul Edis, plus a new arrangement of a favourite standard – My Funny Valentine.
It Ain’t Broke (Don’t Fix It) was the philosophical opener and featured solos from clarinet, trumpet and piano (Alex Thompson, James Metcalf and Ben Lawrence – all known to me from Early Bird gigs) plus vocals from Emily McDermott (whom I had not seen before).

RIP Mundell Lowe

Another chorus of Farewell Blues, this time for guitarist Mundell Lowe who left us yesterday (December 2). I never heard him live although he did play at the Corner House, Newcastle, in 1990 and a session at Peterlee in 1993 with fellow guitar legends Doug Raney, Louis Stewart and Trefor Owen backed by Pete Stuart (bass) and Adrian Tilbrook (drums).
Not that I was unaware of his playing. A Richie Kamuca Quartet album - Richie -  included some fine playing by Lowe. Single string flights, chordal fantasies and solid support by the guitarist made this a positive gem. No surprise that it was Roly Veitch who first drew my attention to it. 
Be interesting to hear from anyone who remembers the above concerts or any other sessions involving Mundell Lowe.
He was 95.
Lance
What's Mike Hammer got to do with Mundell Lowe?

Baby it’s Cold INside! Alan Barnes – Jazz Christmas Carol @ Ushaw College, Fri. Dec 1

Alan Barnes (sax, clarinet and bass clarinet); Bruce Adams (trumpet); Mark Nightingale (trombone); Robert Fowler (saxes and clarinet); Karen Sharp (saxes and clarinet); David Newton (piano); Simon Thorpe (bass); Clark Tracey (drums).
(Review by Jerry)
Alan Barnes entered, resplendent with lighted candlestick, nightcap, nightshirt (looking well slept-in) and socks and slippers presumably loaned by Nora Batty! Resplendent is perhaps the wrong word but it certainly was an entrance!
God Rest Ye Merry Gentlemen, with Paul Edis depping on piano for David Newton (stuck in traffic), set the mood and gave hints of the musical riches to come. As the applause was dying down, the pianist arrived –“a visitation from the ghost of gigs past”, according to the band-leader!

Today is VCJ Day


SUNDAY 3 December - The Vieux Carré Jazzmen are performing an afternoon session of Christmas songs and 20's Jazz music in The Stables at Seaton Delaval Hall National Trust, 12.00 - 2.00pm. Seating and refreshments available, but wrap up warm as there's no heating in the stables.
In the evening you'll find us at THE KITTIWAKE Pub & Kitchen, Claremont Crescent, Whitley Bay NE26 3HL. 
Shorts & T-shirts recommended! Showtime 8.00 - 10.00pm. Free. 

See you there! 
Brian 

Saturday, December 02, 2017

Leo Richardson Quartet @ Opus 4 Jazz Club, Darlington - December 1

Leo Richardson (tenor saxophone), Rick Simpson (keyboards), Tim Thornton (double bass) & Ed Richardson (drums)
(Review by Russell)
Tenor saxophonist Leo Richardson has received rave reviews in the jazz media with his debut CD The Chase garnering 5-star awards. In demand on the London scene, sharp-suited Richardson is on the road with his quartet and he stopped off at Opus 4 Jazz Club. Darlington Jazz Festival has been ahead of the curve having already been treated to Richardson’s hard bop style in trumpeter Matt Roberts’ all-star band in 2016 and again this year. Would Richardson attract a crowd?

Friday, December 01, 2017

CD Review: Elektrojazz - New York Tribute

Anders Larson (trombone, composition, producer); Anders Rose (Rhodes/Wurlitzer); Matthias Petri (bass); Andreas Svendsen (drums/perc) + NY artists: Michael Stephenson (vocal); Mr. Reed (vocal); JFlo (beatboxer); Cary Goldberg (spoken word); Gonzalo Silva (electric bass/vocal).
(Review by Lance).
I'm not a native New Yorker but that's only because of a few thousand miles of ocean that lie 'twixt the UK and the USA. 
A similar state of affairs with Elektrojazz. Trombonist Larson, born in Sweden, lives in Copenhagen as do his band colleagues.

Alter Ego @ The Globe - November 30

Keith Robinson (alto saxophone), Niall Armstrong (tenor saxophone & flute), Dave Hignett (trumpet & flugelhorn), Andy Hawking (piano), Paul Grainger (double bass) & David Francis (drums)
(Review by Russell)
Baby, it’s cold outside…I really can’t stay. It was cold outside, it was cold inside. As snowflakes fell the band must have wondered if anyone would turn up. A bottle of Black Sheep, a half glass, ‘hello’ to the few hardy souls (the band), quick, choose a seat. Newcastle’s Jazz Co-op on Railway Street was open for business.

Thursday, November 30, 2017

RIP Fred Rowe - Gentleman and Trumpet Player

Just received the sad news that veteran Dixieland trumpet player Fred Rowe died in hospital this morning.
When someone dies it is almost obligatory to say what a nice guy he was irrespective of the truth. No such subterfuge in the case of Fred Rowe. Fred really was one of the nicest guys you could hope to meet and a fine trumpet player who formed his style early on and stuck with it. I first heard him playing with the Rivermouth Jazzmen at the Wouldhave Café, later to change its name to the Shoreline Club, on the seafront at South Shields. It was honest, straight down the middle, Dixieland. This would be in the early '50s. In later years I heard Fred with the Tyne Valley Stompers and other bands led by drummer Ray Brown.

Wednesday, November 29, 2017

CD Review: Seth MacFarlane - In Full Swing

Seth MacFarlane (vocal); Joel McNeely (producer/arranger); Norah Jones, Elizabeth Gillies (guest vocals).
(Review by Lance)
Seth MacFarlane is more than just a Family Guy, to quote the title of the TV show he's perhaps best known for - in the eyes of Joe Public. However, in the more discerning eyes and ears of the Bebop Spoken Here readership, MacFarlane is much more.
He's just about the classiest male vocalist around at present. Is he a jazz singer? Was Sinatra, Astaire or Crosby? Are Bublé or Bennett? Who cares? His albums invariably hit the top spots on the jazz charts but what do they know?

Tuesday, November 28, 2017

Christmas at Gosforth Civic Theatre














First the bad news.
There will be no 'last Thursday in the month' SSBB sessions at The Millstone until February 22, 2018.
Now the good news.
There are still some tickets left (not many) for the bands annual Two Nights Christmas Special held on Friday and Saturday, December 15/16, at Gosforth Civic Theatre.
Those who have been at the band's previous Xmas gigs know just what a treat will be in store for them. However, this year, not only will the swingingest band what am, Michael Lamb, be up on stage but, with them, will be the sensational Scarlet Street helping everyone to paint the town red.
Don't hang around - get in before the scalpers -  click here.(quote bebop for discount on tickets).
Lance

CD Review: The Classic Jazz Masters – Jazz Roots: The Sound of New Orleans

Bob Wade (trumpet & clarinet), Roy Borrows (clarinet, alto saxophone & vocals), Zbigniew ‘Speedy’ Kobak (trombone), Sasha Sonnbichler (banjo & guitar), Cecil Ferreira (string bass) & Steven Wade (drums)
(Review by Russell).
The Classic Jazz Masters formed in 1988 to play the music of ‘the classic jazz masters’. Founding members Bob Wade and David Mills took up tv news presenter Kathy Fitch’s suggestion of calling the band after the ‘classic jazz masters’ of the 1910s, 20s and 30s. Stan Jones, one-time pianist in Johnny Dankworth’s band, was in the original line-up, and the band went on to record several CDs with varying personnel. Jazz Roots: the Sound of New Orleans is comprised of fourteen tracks and most of them are more than familiar including All of Me, Muskrat Ramble and Wabash Blues.

Annie Ross on Radio 4

Annie Ross talks about depping for Billie Holiday at Harlem's Apollo Theatre. BBC Radio 4 16:00 hrs.

Monday, November 27, 2017

CD Review: Django Bates' Belovèd - The Study of Touch

Django Bates (piano); Peter Eldh (bass); Peter Bruun (drums).
ECM records are usually met with a reluctance by most of our reviewers. In general, the response  is one of apathy, Suddenly, they have a migraine, or their aunt has died, they're on holiday, they're working overtime, they've got to paint a fence - "Which fence?" "Any fence". And so it goes on, the upshot being that the output from ECM is very much an acquired taste.
On this occasion, it was down to me to bite the bullet and it actually turned out to be a very tasty bullet indeed.
Bullets fired by Django Bates usually are and this was no exception.

DUJS Jazz Jam @ Empty Shop - November 26

Most Sundays, term time, there is a jam session at 35c Framwellgate Bridge. The Empty Shop speakeasy is the place to hang out anytime and these Sunday jam sessions have developed a student audience eager to support their peers as they play some jazz. Durham University Jazz Society organises the event and most weeks some seriously good musicians turn up to have a blow.
A short hop from a jam session in Darlington, a ‘hello’ to Carlo, a pint from the Durham Brewery, and, entering the bustling performance space, a female voice could be heard singing the Jimmy McHugh/Dorothy Fields’ old warhorse On the Sunny Side of the Street

Darlington Jazz Club Jam Session @ Quakerhouse - November 26

Shaune Eland (trumpet), Alan Thompson (tenor saxophone), Steve McGarvie (keyboards), Alan Smith (bass) & Stephen Fletcher (drums) + Ray Johnson (flugelhorn), Rick Laughlin (keyboards) & Beth Roberts (alto saxophone)
(Review by Russell)
Darlington Jazz Club meets twice monthly, usually at the Quakerhouse pub in Mechanics’ Yard, usually featuring an invited band. Occasionally there is an all-comers jam session. This was one such occasion. A pint of Bear Ass from Cheshire’s Beartown Brewery, selected from a tempting, tip-top range of beers, then upstairs to be greeted, as ever, by Beth Roberts ‘doing the door’.
The house band – effectively the Jazztones – kicked off with Lee Morgan’s Tom Cat. Trumpeter Shaune Eland led a round of solos, followed by tenor man Alan Thompson, then a bluesy Steve McGarvie. Bernie's Tune heard solos from all concerned before Eland stepped aside to allow the first of the sitters-in to have a blow. Ray Johnson played flugelhorn on three or four numbers, the pick being Beautiful Love, with Rick Laughlin on keyboards.

Sunday, November 26, 2017

CD Review: Rhiannon Giddens - Freedom Highway

This lady is playing Sage One on Tuesday (November 28) and I'm seriously disappointed I have to work.
It's a fine album which captures the spirit of the Black Experience as well as old country blues records and even going back to work-songs, but with a contemporary edge and drawing on folk, Americana, bluegrass, jazz and soul.
Giddens writes, plays guitar, piano and minstrel banjo and sings quite beautifully and, while I haven't yet had the chance to back-track to her previous albums, on the strength of this, she's definitely one to watch out for.
Tracks to YouTube: At the Purchaser's Option and The Angels Laid him Away.
Steve T.

John McLaughlin and the Fourth Dimension + the James Herring Band, play the music of the Mahavishnu Orchestra, Vic Theatre, Chicago USA, November 18

John McLaughlin (guitars), Gary Husband (keyboards, drums), Etienne M'bappe (bass, vocals), Ranjit Barot (drums, vocals).
(Review by Steve T)
If you read any of the growing literature about John McLaughlin, the Mahavishnu Orchestra (MO) and Jazz/Rock/Fusion, there are three constants among those who saw the original band: that this was a musician of staggering intensity and virtuosity, that people thought it was all him - we'd heard electrified violins and moogs but never played like this - and that their lives were changed by the experience.
A friend of mine always said the classic rock bands I saw as a ten/eleven/twelve-year-old must have gone over my head, but I was familiar and comfortable with music by all of them, except the Mahavishnu Orchestra. I already knew the media and the charts weren't for me, but as I stared, open-mouthed in disbelief, anything became possible, as John might say, between nothingness and eternity.
This is to be his farewell tour of America, I suspect with his love of all things India, due to Trump's policy towards 'foreigners'. He's been tentatively dipping back into the MO back catalogue in recent years but this is the first time he's done it lock, stock and...

Duke on Talking Pictures


In 1934, the Duke Ellington Orchestra arrived at the Paramount studios in Hollywood to take part in the movie starring Mae West, Belle of the Nineties. I haven't seen the film but at 20:10hrs on Monday (November 27) on the Talking Pictures Channel, a 20 minute shot of excerpts from the film shows Mae West singing with the Ellington Band.
Virgin 445; Sky 343; Freeview 81.
Lance

Saturday, November 25, 2017

CD Review: Henry Lowther's Still Waters - Can't Believe, Won't Believe

Henry Lowther (trumpet/flugel); Pete Hurt (tenor); Barry Green (piano); Dave Green (bass); Paul Clarvis (drums).
(Review by Lance).
The trumpet player has long been regarded as the flashy extrovert of any band or orchestra. The stentorian tone of the instrument can drown out the loudest drummer, even, we're told, bring down the walls of Jericho. Buddy Bolden, it was said, could be heard at the other side of Lake Pontchartrain - a distance of 20 miles. 
Hearing such trumpet players as Louis Armstrong, Harry James, Dizzy Gillespie, Maynard Ferguson, Arturo Sandoval, Kenny Baker and Bruce Adams live or on record serves as a further reminder of the instrument's power.
And yet, running parallel to the bombast of the above there's also another group. Players more minimalist. Introverts who, nevertheless, show that less can often be more.
Bix, Bobby Hackett, Miles, Chet and, more recently, Tomasso Stanko and Laura Jurd all belong to the latter school.
As does Henry Lowther.

In Other Words @ Tynemouth Station Christmas Market - November 25

Alex Thompson (alto saxophone), Nathan Lawson (guitar) & Dylan Thompson (drums)
(Review by Russell)
Tynemouth Station Christmas Market. Yes, November isn’t out, yet the Santa hats were out in numbers. The weekend market on either side of the Metro line is as popular as ever and today there was an added incentive to catch a train from Newcastle to the coast – In Other Words, in Santa and bobble hats themselves, were entertaining late morning visitors to a bustling market.
In Other Words (think Fly Me to the Moon) are Alex Thompson, alto, Nathan Lawson, guitar and Dylan Thompson, drums. The chances are you’ve heard them without knowing their names. On Sage Gateshead’s concourse these young men have entertained the crowds in numerous band permutations – Jazz Attack, JB’s Cats (that’s James Birkett’s young charges), Jambone (the big band based at Sage Gateshead) and the Early Bird Band to name but four.   

Blues and Art of Chicago.

(Observations by Steve T)
Some people think American skyscrapers are ugly, but I find them amazing and Chicago more so than New York - real fantasy/sci-fi stuff. Chicago seems a long way to go for a concert, but the Windy City was on my bucket-list anyway, alongside San Fran, New Orleans, Boston and Vegas. The city that gave the world electric blues and Curtis Mayfield, who many think will ultimately be considered one of the finest human beings who ever lived.
We were left with a trek to the three gigs, two of which we did entirely by taxis, but by a stroke of luck, were literally around the corner from Buddy Guy's world-famous club - Legends.

Friday, November 24, 2017

RIP George Avakian

I never met George Avakian, no reason why I should. He lived in Manhattan and I didn't. He was just one of those names that appeared on album sleeves - Produced by George Avakian - usually in print too small to read. Fortunately, he frequently also wrote the liner notes himself which, in themselves, became a part of jazz literature. Writing about Ellington at Newport 1956 and, in particular, Paul Gonsalves' 27 choruses long solo on Diminuendo and Crescendo in Blue he draws attention to former Basie drummer, Jo Jones, who, after playing with Teddy Wilson, egged the Ellington band on by shouting encouragement and swatting the edge of the stage with a rolled up copy of the Christian Science Monitor about 18 inches from George's squatting haunch. "As this target has grown more inviting over the years, I was careful to stay an arm and a half clear of Jo at all times" writes George in his notes.

Group Theory @ The Jazz Co-op, The Globe, Newcastle - November 23

Dan Garel (alto saxophone); Tom Burgess (guitar); Dylan Purches (bass) & Tristan Bacon (drums)
(Review by Russell)
Group Theory emerged from a jazz hothouse in the heart of Durham city. Durham University and the ever quirky Empty Shop on Framwellgate Bridge are key elements in a burgeoning jazz scene to be found, and heard, in Dunelm House (Students’ Union), the Music Department up on Palace Green, the Gala Theatre, the county-wide Brass Festival, and the new Durham Jazz Festival with its many unusual venues which in its first year included a gig in a barber’s shop.

The BBC Big Band: Swing Legends @ Middlesbrough Theatre - November 22

(Review by Russell)
The BBC Big Band made a rare visit to the region to play a concert at Middlesbrough Theatre with vocalist Jeff Hooper as special guest. As a full house took its seats a star-studded line-up ambled out onto stage bang on time…professional from beginning to end. The BBC’s Big Band Special is long gone from the Radio 2 schedules but the orchestra continues to defy the odds with a concert diary stretching into next year.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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