Total Pageviews

Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
-----
Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
-----
Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
-----
Evening.
?????
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, August 15, 2013

CD Review: Anya Malkiel – From the Heart

Anya Malkiel – vocal; Randy Porter – piano; John Wiitala – acoustic bass; Jason Lewis – drums; Jim Schneider -  tenor saxophone & flute; Christian Tamburr – vibraphone.
(Review by Debra M.)
This is the debut album from St Petersburg  raised  American jazz singer Anya Malkiel.  With an intimate atmosphere  created by her quiet, languid vocal and a sympathetic ensemble of musicians, she explores a  range of well-known and less familiar standards with sensitivity. The opening  relaxed, swinging blues ‘Fine and Mellow’ sets the tone , and  features an expressive  tenor solo from Jim Schneider . 
However, her vocals are more compelling  in  tracks such as ‘I Thought About You’, where a restrained introduction of voice and piano is transformed into a lively Latin number by the arrival of rest of the ensemble. ‘Invitation’ has a contemporary feel, underpinned by a bass groove and some fluid vibes from arranger Christian Tamburr. An up tempo ‘There Will Never Be Another You’ showcases Malkiel’s fluid scatting, which also goes down well in ‘Beautiful Love’.  The latter is well-arranged, with a short introduction of bowed bass and piano, giving  a classical mood, which  continues  interspersed with swinging sections throughout the piece. One of the strongest, yet quietest tracks, is the final ‘Sometimes I Feel Like A Motherless Child’;  stripped down to a vocal and double bass duet, Malkiel sings of being ‘a long way from home’ and this clearly comes straight from the heart.
Amazon samples.
Anya Malkiel – From the Heart was released earlier this year.
Debra M.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!