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Bebop Spoken There

Cecil Taylor: “You can't expect Dave Brubeck, who grew up in a rural area, to play like a guy from 118th St.– (Down Beat October 26, 1961).

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Cecil Taylor: “I'm sure he [Bill Evans] knows what he's talking about, but I don't know what he's talking about.” – (Downbeat February 25, 1965).

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Archives.

Today Sunday December 4

Afternoon

Danny Reed 'Seasonal Swing' - Customs House, Mill Dam, South Shields. 12 noon. £19.95 (inc. 2 course meal).

TBA - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 2pm. Free.
Ian Harrington (Solo piano) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 1:00pm. No cover charge.
Musicians Unlimited - Park Inn, Park Rd., Hartlepool. 1pm. Free.
Paul The Crooner - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 5pm (doors 2pm). Free.
Evening.
Kathryn Williams & Anthony Kerr - Globe, 11 Railway St., Newcastle NE4 7AD. 8:pm. £10.
HT Trio - Bridge Hotel, Castle Garth, Newcastle NR1 1RQ. £8/£6. JNE 'On the Outside'. 8pm.
Jam Session - Empty Shop, Framwellgate Bridge, Durham DH1 4SY. 8pm. Free.
Vieux Carré Jazzmen - Red House Farm Pub & Restaurant, Hepscott Drive, Monkseaton NE25 9XJ. 8pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 17, 2013

CD Review: Vo-Duo - Nou La

Monvelyno Alexis – Guitar/Vocals; Markus Schwartz – Percussion
(Review by Steve)
Nou La is the first album by Vo-Duo and draws on the traditional Haitian Voodoo tradition for it’s content both lyrically and musically. All songs are sung in local language Kreyol although helpfully the liner notes translate all the lyrics into English. The practice of Voodoo in Haiti originates from the time of West African enslavement  and in the past this album may have been labelled patronisingly as World music but this is Afro-Haitian Jazz.
  Monvelyno Alexis was born in Haiti and is a student of folk arts besides being a poet and mult talented musician.  Schwartz born in Denmark has practiced the art of Haitian drumming for over 20 years. The pair came together after meeting in New York’s Jazz scene and recorded this album in Brooklyn last year.
The album begins with an a cappella track Bonjou welcoming us all to Vo-Duo. The second track Alegba Gran Chemin has a real jazz feel to it and is a call to the spirits for help for the struggling country Haiti. The next song Pale Mal (Bad Talk) is a sweet rhythmic rolling tune with great backing harmonies from Schwartz. This is followed by Kouzen a sad song with moving vocals and great jazzy guitar from Alexis. Track 5 Wongol is  a soft melodic number lamenting that ‘the spirit’ has left and Haiti is now damaged.  This is followed by Frelele (The Struggle)  again focusing on the hardships befallen Haiti and features some almost scat like vocals towards the end of the track. Simbi Makaya is more up tempo with a recognisable Jazz guitar feel and deals with the magical spirit as it enters the cemetery. The penultimate song Zilibo is a lively song with a great beat. The final number Gede Man Lajan  a song about the spirits helping to rebuild the country and has some really mellow vocals from Alexis accompanied by sympathetic percussion from Schwartz.
This is a passionate and moving album focusing on a country that has been ravaged by many disasters but  although the content is heavy the music is bright, rhythmic and full of hope for the future.
Steve.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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