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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 04, 2012

Lickety Split @ The Lit and Phil

Conte Candoli (tpt); Frank Rosolino (tmb); Bud Shank (alt); Richie Kamuca (ten); Russ Freeman (pno); Monty Budwig (bs); Barney Kessel (gtr); Shelly Manne (dms).
OK so that wasn't the real line-up but close your eyes and it could have been!
Actually it was Kevin Eland (tpt/flug); Eddie Bellis (tmb); John Hudson (ten); Alan Marshall (alt); Bill Brittain (pno); Alan Rudd (bs); Roy Willis (gtr); Paul Wight (dms) who created the illusion that we were hearing  a band from LA when in fact it was pure home grown talent!
Lickety Split have found a niche that was screaming out to be filled. Screaming out to be filled by an audience that neither wanted to be Taken Back to New Orleans nor had any inclination to view life On The Outside.
LS (silly name does nothing to pull the audience they aim at) has some great soloists - each and every one comparable with their LA counterparts. The arrangements are terrific (including a couple by Sunderland's Ray Chester).
The walls of the room are bedecked with portraits of bygone statesmen - dour, unforgiving gentlemen from days of yore (or should it be wor in Newcastle?) frowning upon these musical infidels who dare to infiltrate this holy of holy's. When Kev Eland blew some notes that their current MD Gabriel could only .dream about I swear the portraits smiled.
Archangels Hudson and Marshall descended and promptly took us back to the promised land where jazz and music were once equals. Bellis is a welcome addition to the local trombone ranks and his mic. technique is bumblingly effective - rather like Chris Barber's!
Nice to hear some Roy Willis guitar solos - too long he's been the unsung hero of  many a rhythm section but not tonight - Tonight there was a tide in the affairs of Roy.which, taken at the flood, led on to (musical) fortune; Roy took it at the flood with both hands and a plectrum.
Bass and drums kept it all together - Rudd playing Miles' All Blues could earn him a Maine Street Jazzmen ASBO!
Paul on drums - great.
On a downer, although the Lit and Phil was reasonably well attended, only Russell, Jim McD and myself were from the regular "Jazz Community" - the others being L and P members who probably turn out to support whatever event is being held.
Well, this was the missing jazzers' loss as, not only was the music great but pint bottles of Wylam Ale were only £2.50!
An 8 piece bebop band and beer at £2.50? Roll over Dizzy tell Bird the news.
Lance.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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