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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 06, 2012

James Taylor Quartet @ Hoochie Coochie

James Taylor (Hammond/vcl); Guitar, Bass, drums + Yvonne Yanney (vcl).
(Review by Lance).
This was an adrenalin pumping evening! James Taylor makes - say Wild Bill Davis or Bill Doggett - sound like the old lady who plays the organ in your parish church!
Mind you, whilst Wild Bill and his ilk painted much broader harmonic pictures than Taylor - whose stock in trade is excitement - they couldn't match him for aggressive, kick the door down power. He's more percussive than most drummers!
This was funky, soul fuelled - somebody said "Acid Jazz" - that placed his Hammond under ten times more pressure than even Mike Carr did - albeit without the finesse.
The packed room reacted, moving and shaking it all about - and I do mean all! Even I responded to the audience participation hand-clapping and the call and response moments he exhorted from the crowd raising my hands above my head as demanded. (I raised more than my hands as the 27 bus later edged its way through the Bigg Market revellers. Did I really see see six young ladies in bathing costumes on a cold 10:30pm evening?) I digress.
Getting back to Hoochie, it was earthy, it was rebel-rousing and it was quite wonderful providing you weren't looking for some soul-searching hidden meaning. WYSIWYG with James Taylor and few were complaining.
Yvonne Yanney (I think - I didn't catch the names) sang as if we were in the Motor City and guitar, bass and drums did the business. I suspect they may not all have been regular members of the quartet going by the instructions Taylor was giving from the keyboard. It didn't matter - it worked.
Repetitive? Of course it was. Tedious? - No way! My heart beat's just returning to normal an hour or more later...
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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