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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 07, 2012

Gabriele mit drei @ The Bridge Hotel. Sunday May 6

Gabriele Heller (vocals), Paul Beck (piano), Steve Glendinning (guitar) & Dave Parker (double bass).
(Review by Russell)
Gabriele Heller is a graduate of Lindsay Hannon’s jazz vocal class at The Sage. I first came across Gabi when she sat in at Dave Weisser’s jazz workshop at The Chillingham. 
First impressions were good; a presence, dark, low register vocal delivery, eager to play with the lyric. Since that first hearing Heller has gigged intermittently, picking up a band along the way. She combines an exploration of early or ‘classic’ jazz vocal styles, the blues, well-chosen standards and a smattering of original compositions. An invitation to perform at Splinter at The Bridge represented a significant development in her fledgling career as a jazz singer.
The set at The Bridge kicked-off with Darktown Strutters’ Ball (I’m sure I’ve heard Ms.Hannon do this one). Splinter audiences don’t get to hear material from the tumultuous twenties ‘jazz age’- the musicians studiously avoid it but I wonder…what if some of the north east’s superb young instrumentalists and vocalists took a look at this stuff? I’d be willing to bet there would be some interesting results! 
Guitarist Steve Glendinning featured on his own composition Broken Silence (lyrics Heller), pianist Paul Beck laid down a blues feel on Imagination and Heller scored top marks with her Weimar German/English lyrics on Falling in Love Again. The set drew to a close with Old Devil Moon. I love the tune and comparisons are said to be odious but, hey Gabi, this one belongs to Ruth Lambert! 
Second set. Lullaby of Birdland. Now you’re talking Gabi! This was the undoubted highlight of the evening. It swung, great vocal, piano and guitar. Inch Worm worked with Beck and Heller prominent and a Heller original – Don’t Mess Around with Me – was pure Berlin cabaret (more good guitar from Glendinning and sympathetic accompaniment from bassist Dave Parker). Heller has an obvious affinity with the vocal style of Billie Holiday and working without a drummer is a brave move (a good drummer can make anything swing). Heller’s approach is certainly different and how things will develop is anyone’s guess. Gabriele Heller is at The Jazz Café on Saturday 2 June (9:00 pm-ish).
Russell.          

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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