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Bebop Spoken There

Artie Shaw: “I'm not interested in giving people what they want--I'm interested in making music.” – (DownBeat October 15, 1939).

Jason Marsalis: “There's so many places that this music can go and there's a lot yet to be discovered.'” – (DownBeat April 2018)

Today Wednesday March 21


Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Rod Sinclair & Tom Fletcher - The Vault, Hallgate, Hexham NE46 1XD. 2:00pm. £7.50.


Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, March 28, 2010

The Raymond Scott Experience - the Stu Brown Sextet.

This was an oddity - a mainly pleasant oddity. The Raymond Scott Sextet was a quirky little band popular in the 1930s. Their music bore a superficial resemblance to the John Kirby Sextet but without the innate jazz credentials of the latter. Nevertheless, they were tuneful and much of their music was infectious - not least because of the titles: War Dance of the Wooden Indians, Dinner Music for a Pack of Hungry Cannibals, New Years Eve in a Haunted House etc.
From my seat in the stalls of Hall Two I watched clips of a forthcoming documentary on Scott by his son, Stan Warnow, who introduced the concert. The clips faded and the stage lights came up to reveal the Stu Brown Sextet who then went into some of Scott's original scores playing it absolutely authentically.
There were more clips this time of  Looney Tunes cartoons of which Raymond Scott provided the background music plus a slide compilation of drawings by schoolchildren who had drawn them as a reaction to the music played.
The Stu Brown Sextet played their contemporary versions of Scott classics and, as Scott was a pioneering force in developing musical electronics so the sextet did likewise.
One doomy theme played on a 'Wind Synthesiser' was commissioned by the Scottish Arts Council - why wasn't I surprised?
Still it was an enjoyable couple of hours of escapism that drew attention to the memory of a largely forgotten figure.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.