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Bebop Spoken There

Artie Shaw: “I'm not interested in giving people what they want--I'm interested in making music.” – (DownBeat October 15, 1939).

Jason Marsalis: “There's so many places that this music can go and there's a lot yet to be discovered.'” – (DownBeat April 2018)

Today Monday March 19


Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Higher Education & Research Presents: Future Grooves - Sage Gateshead. 12 noon. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.


Higher Education & Research Presents: Future Grooves - Sage Gateshead. 7:00pm. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, August 07, 2009

Release Mike Westbrook

Dusting off some vinyl the other day (wife says "You? dusting?) I pulled out Mike Westbrook's "Release". What memories this brought back! For me, this was a doorway into the freer forms of jazz without total disregard to the past. A Mingus like theme, yet with a sort of patriotic Brit. feel about it, the soloists were about as avante garde as I'd listened to at that time - 1968. John Surman, I was convinced, was the world's greatest baritone player and maybe I still am. Mike Osborne, Malcolm Griffiths and Paul Henderson all soloed frenetically yet with meaning. That they were able to incorporate "Flying Home" and "Opus One" into it spoke much about the arranging skills of Westbrook.
In his Jazz Journal review, Steve Voce said, "...Flying Home, for instance, is played with an intensity that makes the Hampton versions sound like teatime with Donald Peers."
Many an afternoon's pubbing with Bill Shaw and Charlie Carmichael was followed by listening to this gem back at my place.
Happy days.


Marcello Carlin said...

A great record - of the early Westbrook albums this sounds like it was the most fun to make and it's certainly the most fun to listen to. Just one correction: I think you meant Paul Rutherford, the much missed trombone titan, rather than "Paul Henderson"; his solo on "Folk Song I" is I believe the first recorded multiphonic trombone solo in jazz.

Lance said...

You are of course correct re Paul Rutherford.
Perhaps I'm still drunk from those heady days of 40 years ago.
Thank you for sobering me up!
The Westbrook band of the time were the young cannibals of the day. Defying tradition yet staying within that tradition by moving the boundaries - if that makes sense.
Come back soon.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.