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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Friday March 23


Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Jiannis Pavlidis Trio - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £8.00. (£6.00. advance).

Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Five Men No Dog - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 8:00pm (doors 7:00pm). A ‘jar on the bar’ admission event.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 09, 2018

Elkie Brooks @ Sage Gateshead - March 8 - Take 2

Elkie Brooks (vocal); Andrew Murray (keys); Rufus Ruffell (guitar); Brian Badham (bass guitar); Mike Smith (tenor sax/synth); Fraz Knapp (drums)
(Review by Ann Alex)
A great night indeed, as Lance said, with level 1 of Sage full, and Elkie giving about 150%. This lady can sing it all, ballads, rock, blues, soul, country, and I’m told that she also does a mean GASbook song, though there was no jazz in this gig. The voice is gutsy, bluesy, with long notes and much gospel style vibrato on some notes. She didn’t need backing singers as some clever electronic wizardry enabled Elkie to sing with herself, mostly as call and response, on some songs. She told us that she’d thoroughly enjoyed the evening and she meant it. She even apologised for the concert rescheduling, caused by throat problems. So we clapped along when encouraged by the drummer, and there was a standing ovation at the end of the evening. There was a touch of humour when an audience member shouted something which Elkie mistook as rude. She began to admonish the person diplomatically before a band member put her in the picture. ‘Get them up was what he’d shouted’ she was told.
Talking of the band, they were well up to their game and had many short solos. The drummer related well to the crowd, the sax was quite jazzy, the guitars flowed well, and the keys came into their own especially during the encore with a moving love song, with just voice and keys. Elkie appreciatively introduced each musician during her well-known song Pearl’s A Singer, then promptly picked up a tambourine herself.
Some of the songs featured were from her latest CD, Elkie Brooks – Pearls – The Very Best Of. I didn’t get the names of all the songs, which were not announced, but included was Do Right Man(?); Sunshine After The Rain; Fool If You Think It’s Over; To Make You Feel My Love; Gasoline Alley: Nights In White Satin; Lilac Wine; Love Ain’t  Something You Can Get For Free; Don’t Cry Out Loud; No More The Fool; Pearl’s A Singer. The second half of the show was louder, bluesier, with lively flashing lights – then suddenly a black stage. The audience demanded an encore, which was the love song with keys only (A Song For You?), then the whole band for Purple Rain; We’ve Got Tonight.
Another very successful Sage gig, thanks to Ms Brooks and her band.
Ann Alex

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.