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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tuesday, December 05, 2017

KAPOK @ Jazz Café - November 28

Morris Kliphuis (French Horn, cornet, synth), Timon Koomen (guitars), Remco Menting (percussion, vibraphone)
(Review/photos by Ken Drew) 
Kapok has an unusual line-up for a trio playing jazz. They have a principal line-up of French horn, guitar and drums, but with the addition of synth, vibraphone and second guitar.
The Dutch band are on a 5 venue tour of the UK, and Newcastle (JNE) was 4th on the tour. Formed in 2011 they soon established themselves as one of the most original and exciting live bands in the Netherlands the through their stylistic versatility.  Jazz is at the heart of everything they do, but their performances segue seamlessly through indie, metal, hip-hop and Americana.

Horn player Morris Kliphuis, guitarist Timon Koomen and drummer Remco Menting last year decided to change their sound. They felt that the chemistry between the trio worked well, so they didn’t add extra musicians but decided instead to add extra instruments. Menting acquired a vibraphone, Koomen brought in a baritone guitar and Kliphuis added synthesiser to his horn and cornet.  Having recently explored new approaches, they build around long mesmerising lines, unusual sound combinations, and the subtle use of electronics to broaden the palette – all of this and more being evident tonight.

The first set was a revelation to first-time listeners of the band, like myself. First tune had such a quiet introduction with perfect harmonies from each player, and a nice melody initially on guitar to introduce the piece, passing over to synth, then cornet (Kliphuis on both) using a subtle and perfectly placed FX (echo) to complete the picture.  All three weaving in and out of the melody, along with sound bytes and improvised segments, and Menting initially on vibes moved onto drums for a brief solo percussion part.  Kliphuis moving again from keys to cornet then onto French horn which took the lead. Then a breakout section - very rhythmic drumming increasing in intensity with guitar & synth not far behind and ending with Koomen’s solo. 30 minutes for the first piece! What an introduction by the band - full of dynamics, prepared riffs and melodies, and a fair sprinkling of improv too. 
Next a gentler piece but with more improvisation. French horn intro leading to guitar solo with a gentle accompaniment from Menting. Then a gentle duo section with French horn and guitar with percussion eventually making his presence known through the sounds of running water (shells on drums) - which were chillingly realistic!  French horn now prominent, using FX to produce a higher register 'organ pipe' sound but still to the underlying sound of running water.  Then with the French horn centre stage, becomes increasingly bluesy, leading to cornet and then Menting on vibes to close the piece. What a superb combination of sounds!

After a short interval came The Missing Link - an early piece which came together nicely in the bands early formation, and was recorded on their first album with a Dutch string quartet
A nice long tune with good interaction between French horn and guitar plus lively drums!   Then a change -  a tune with a groove!  Initially, a French horn solo (played with FX, reminding me of Dennis Rollins' lively t-bone sound, despite it coming from a French horn), adding guitar, then into an improvised section followed by guitar focussing on the groove to the end.

Then the third tune, with guitar introduction accompanied by vibes (bowed and struck) revealing a simple but effectively beguiling soundscape. Then in time, slowly fading back into the rhythmic introduction - with a jaunty tune on French horn. Nice!  And finally, the last piece Ho Hop - another enjoyable piece with a groove.  Rapturous applause led to an encore.  A fast-paced tune, lively & bouncy with main tune led by Kliphuis on French Horn, leading to a tour de force from Menting on drums. Great ending!!  Their enthusiasm and dedication on stage is rewarded by excitement and appreciation in the audience.

Overall.  These young musicians really know their instruments and exactly how they want to sound, moving effortlessly between written and improvised sections, covering a nice range of styles and moods too.  The performance was thoroughly enjoyed by the audience, including two passers-by who chanced taking a seat for the second set, and left uplifted, singing (almost) the praises of this remarkable young band. 

Ken.

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