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Bebop Spoken There

Eubie Blake: “He [Willie The Lion Smith] played some tricky rhythms, if he'd seen them written down, he'd have said "Oh I couldn't play that", but he played them!” – (DownBeat May 24, 1973).

Mel Lewis: “They [kids] think the word "technique" means speed. The word "technique" just means the way you do something, that's all.” – (DownBeat July 19. 1973).

Today Monday April 23

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, December 14, 2017

CD Review: Andrew Bain - Embodied Hope.

Andrew Bain (drums); George Colligan (piano); John Irabagon (tenor); Michael Janisch (bass).
(Review by Lance).
Sometimes, reading the blurb of an album can fill you full of enthusiasm for the disc, which of course is the whole idea, only to find yourself disappointed after you've cranked up the machine. Conversely, reading the notes can also act as a deterrent. For me, such was the case here.  A concept which seeks to link improvisation with the increasingly topical issues of human rights didn't get me over excited and it was only after one of those nice chaps at Whirlwind suggested I might actually like it that, with some trepidation,  I duly listened. That trepidation was soon cast aside as the record began spinning.
This could have been Herbie Hancock on Blue Note. Funky piano, paint-stripping tenor from Irabagon, sound bass (as ever) from Janisch and amazing drumming from Andrew Bain who also composed all 8 tracks of what he describes as an episodic suite.
Four men converging on a central point via different routes. Colligan maybe takes the scenic route in an old but much cherished Morris Minor, Janisch walks at a leisurely pace as bassmen do. Irabagon storms down the M6 leaving a trail of carnage behind him whilst Bain drives a bulldozer with a Formula One engine.
They all arrive on time.
Lance.
Listen/Buy (Learn more!)

2 comments :

S Tulip said...

Incidentally, a tutor at Birmingham Conservatoire and host of the Cheltenham Jazz Festival Jam Sessions at some posh hotel where you can mix with Soweto Kinch, Gregory Porter and the like.

Russell said...

'Faces'Bain played a brilliant gig with Paul Booth at the Corner House a few years ago.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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