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Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Tuesday February 20

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 12, 2017

CD Review: Cheryl Bentyne - reArrangements of Shadows

Just when you thought it was safe to go in to the record store up pops another one! Yes, another singer emerges from the depths. Fortunately, on this occasion, it's Cheryl Bentyne, of Manhattan Transfer who, in reArrangements of Shadows, takes on the daunting task of reimagining songs by the iconic Broadway composer Stephen Sondheim. I say daunting as, unlike the majority of Broadway songsmiths such as Porter, Gershwin, Kern, Berlin etc. Sondheim's works are so specific to the original show that singing them out of context is far from easy. Send in the Clowns is probably the only song in this collection that has prospered in the hands of others...
...until now.
Bentyne is up for it. No doubt but that 38 years of Man Tran has honed her ability to handle just about any vocal situation.
The Ladies Who Lunch comes with two courses. The first one is a vocal threesome with fellow Man Tranian, Janis Siegel and another fine vocalist, Tierney Sutton, joining Bentyne. It's a hoot with the martini tinged voices transporting the listener to an exclusive, upmarket brasserie where the trio cause musical mayhem. The second version - listed as a Bonus Track - is sung solo and is equally effective.
I Remember: poignant with much emotion from voice and sympathetic piano.
Sand: An obscure number from an unproduced movie, Bentyne draws every nuance from the lyric with more Beasley piano and lots of twists and turns from the singer.
Everybody Says Don't is almost vocalese with only bass and drums for support.
Comedy Tonight: Quirky!
I Wish I Could Forget You, sung with only Tom Zink for support, tugs at the heartstrings.
Not a Day Goes by is another one that exudes sadness and sorrow. Few can display those emotions better than Bentyne.
The sombre cello-led strings forewarn us that Move On is going to be more wake than wedding. Bentyne's memory of her own past health problems was
surely a significant factor.
Send in the Clowns; cool bossa backing, cool vocal.
An impressive album by one of the few vocalists capable of bringing Sondheim from Broadway to Birdland and back again.
Lance.
Piano: John Beasley (4 tks); Tom Zink (1 tk); Bevan Manson (1 tk.)
Strings: Rafi Rishik, Irina Voloshina (violins); Jennie Hansen (viola); Armen Ksajikian (cello).
Guitar: Tom McCauley (perc. 2 tks).
Percussion; Brad Dutz (1 tk). John Arrucci (marimba); Kevin Axt (bass); Dave Tull (drums).
Vocals: Cheryl Bentyne; Janis Siegel and Tierney Sutton (1tk); Mark Kibble and Armand Hutton (1 tk).

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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