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Bebop Spoken There

Howlin' Wolf: “He [Charlie Patton] was a nice guy, but he just loved the bottle--like all the rest of the musicians. He was a great drinker.” – (DownBeat December 16, 1967).

Frank Zappa: “Those kids [US students] wouldn't know music if it came up and bit 'em on the ass.” – (DownBeat October 3, 1969).

Today Thursday April 26

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Tees Valley Jazzmen - No.1 Market Place, Bishop Auckland DL12 7NJ. Tel: 01388 665533. 12:30pm. Free admission.

Gateshead Jazz Appreciation Society - Gateshead Central Library, Prince Consort Road, Gateshead NE8 4LN. 5:00pm. Fortnightly meetings, all welcome.

Evening

Strictly Smokin’ Big Band - Millstone, Haddrick’s Mill Road, South Gosforth, Newcastle NE3 1QL. 0191 2853229. 7pm.

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Bearpark Trio - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £3 (£2 student/MU.).

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Kevin Eland (tpt); Donna Hewitt (sax); Graham Thompson (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 24, 2017

Mark Williams Trio @ The Empty Shop, Durham - October 19

Mark Williams (guitar), Paul Susans (bass guitar), Russ Morgan (drums).
(Review by Steve T)
No doubt, to the disappointment of our fearless editor, my visit to Empty Shop was accompanied by a severe bout of freshers/man flu (which kept me away the previous night), so my review is slight, but I didn't want the occasion to go unmarked.
No doubt he'll be thrilled that I've still found a few words to target a couple of things currently causing such enormous harm to music.
A slow start by Empty Shop standards but by the interval the chairs were pretty much occupied with almost thirty, including a large group of newbies (no doubt responsible for my ailment), who didn't know the protocol of clapping for each and every solo, and no bad thing either.
Taken entirely from his two albums, and mostly from his most recent, a mix of jazz, rock, sounds, some loops, and I really need a new metaphor for all the pedals, beyond our editor’s second favourite pastime. It was mostly all in splendid extended form, with convincing segues between pieces.
Last time I saw Mark I apologised for missing the album launch at the Caff because of a Soul Night in Crook (watch this space), but he cordially conceded that I'm well familiar with his playing.
Nevertheless, whatever the setting, he's always a riveting listen and tonight I noticed for the first time, some overt references to Black Sabbath which Francis attributed to Megadeth, which for anyone who knows their heavy metal, and I know Mark does, makes total sense. 
Incidentally, the reader should not mistake Dave Mustaine for some heavy metal fool; he's always tried to equip his band with accomplished jazz musicians.
And of course, Marks' rhythm section are fairly sh!t h0t too.
So, to the gripe. During the set he announced he had CDs for sale if we are to keep this thing called music going. I know another oldie bought both but I don't think any of the youngsters did. No doubt they'll either download/stream/whatever their 'favourite songs', or the record companies and media, none of whom have any interest in music, will convince them to spend twice as much (actually up to eleven times as much) on an old pop record which was never intended as a complete work (as the two main songwriters admitted), but is simply two or three singles with a load of fillers which, if you play them often enough with enough goodwill, will make as much sense as the hits. Meanwhile, real albums don't get a 180gm reissue and the CDs disappear into oblivion.
Steve T.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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