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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 11, 2017

Maja Bugge + Lilli Unwin Band @ The Bridge Hotel, Newcastle - October 8

Maja Bugge  (cello)
(Review/photos courtesy of Ken Drew)
Maja Bugge is a Norwegian cellist and composer based in Lancaster. She is currently a Northern Line artist for Jazz North where she performs music inspired by the simultaneously beautiful and brutal landscapes of the north of Norway, where she was born and brought up. Maja’s unique sound explores stillness and repetition, harmony and dissonance. Her music balances melody and rhythm with external ambiance, acoustics and atmosphere.  So says the info preceding this concert, and it is spot on!  Tonight we heard beautiful, meditative soundscapes blending everyday sounds, melody and improvisation, coupled with the expressive sounds of a lone 'cello sounding out the natural ambiance and acoustics of the performance space which for tonight was the Bridge Hotel (where many musicians enjoy and comment on the acoustics of the room). But her background is more wide-ranging than this…..
First tune - an image of the Lofoten Islands featuring the sounds of gulls diving into the sea. Having been there, and seen gulls (terns) in action, diving for food, it was quite an evocative piece nicely depicting that atmosphere.   Then an excerpt from a piece played the day before in the Standedge Tunnel (as part of the Marsden Jazz Festival) - recreating the various sounds heard from a travelling barge. These included slapping the cello and scraping/sliding hands over it to simulate the sounds of a barge being ‘walked’ through a canal tunnel, plus the sounds of dripping water.   Next, Meditation depicting peace and chaos. We were invited to close our eyes and enjoy, if not fall asleep, to these gentle sounds.  Quite slow, soulful, almost poignant sounds, sometimes wailing too, but overall, meditative and calming.  This was followed by a ‘local piece’ where the audience were invited to suggest themes for Bugge to depict. So ‘trains’, ‘river’ and ’hen parties’ were suggested.  A rather brief piece not quite capturing the ambiance of Newcastle we were expecting, but a brave attempt.  I think an immersive experience is called for!

Then Echoes, a piece Bugge performed in a huge oil container where I guess the ambient reverberation made quite an impact to the piece. It was not so easy to imagine the sound within a huge cavernous oil drum, but an echo effects machine would certainly have killed the moment.  Finally, Shelter (I think).  Back to the sea again, producing the sounds of waves lapping up against the sandy beaches around the Lofoten Islands.   The sounds of rippling waves were very distinct and effective.  Included bowing the strings very close to the bridge to alter the tonality, just as you hear as you walk along a beach with overlapping waves racing to greet the shore.

One personal observation I made was that whilst the cello has an easily recognised soft-toned sound, it seemed to me that Bugge produced sounds not only as expected – soft and soothing, but also with a strong hint of viola, if not  Hardanger Fiddle, but more ‘raspy’ and raw, with very little bass resonance.  Along with the impromptu percussion effects, this made for an interesting range of sonorities on which to construct these soundscapes.

More info:    As a Northern Line artist, Bugge is currently touring and there is a short descriptive video on their website (including photos of the oil tank performance)

Also, for those intrigued by (or, in my case simply couldn’t get to) the Maja Bugge performance in Standedge Tunnel as part of this year’s Marsden Jazz Festival, there is a photo gallery in the Huddersfield Daily Examiner here:

Lilli Unwin
Lilli Unwin (vocals)   Corrie Dick  (drums)   Loz Garratt  (Bass)   Matt Robinson (Keys)
Twenty-four-year old Lilli Unwin is an enchanting and soulful young singer, composer and arranger with an authentic sound and a penchant for intelligent, thought-provoking lyrics, blending subtle grooves and story-telling into an engaging jazz performance.

Starting with a lively bossa/samba based song which included quite a bit of scat vocalese.  Overall, a typical jazz café feel to it, and a good opener. Followed by Lucky to be Me then Stay Close - a first outing for this new tune by Unwin, and likely to appear on the next album. Quite lively and full of personal meaning, with a pleasant and varied melody.  Icarus then preceded a Rodgers & Hart tune Falling in Love with Love. Initially, with vocals and bass only, keys and drums then joining in to swell the sound and pick up the pace. Some interesting discordant ‘close notes’ were carefully placed for good effect, plus a little bit more scat which worked well to provide a distinctive take on this standard.  Worked well.
Then finally, City of Love – self-penned by Unwin  - a lively, bouncy tune with a skipping feeling, playful & joyful,  bringing a much appreciated final song to the evening …..  until cries of “MORE!!”
For an encore, Unwin chose Bess You Is My Woman – her very own take on this wonderful tune, and certainly made it her own, with nice dynamics and lots of feeling.  Good ending!! 

Overall, two distinctly different performances, but as Wes said in his introduction, this was programmed to provide a wind-down following the fireworks of the varied performances we saw at last week’s Festival.  It certainly did that, with quality and style.
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Photos.
Ken

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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