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Bebop Spoken There

Victor Feldman: "The teacher said he couldn't teach me anymore. That was when I was seven." - Downbeat June 8, 1961.

Annie Ross: “I didn’t know until Ira Gitler told me that Dave [Lambert] recorded an album where he would scat and then leave the room for whoever was listening to the record to scat the next eight bars, a sort of ‘Scatting Minus One’.” Downbeat September 1999.

Today Tuesday January 23

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 26, 2017

CD Review: Courtney Pine - Black Notes From The Deep

Courtney Pine (tenor/bass flute/EWI); Omar (vocal); Robert Mitchell (piano ); Alec Dankworth (bass); Rod Youngs (drums) + Ed Bentley (organ - 1 tk); Chris Cobbson (guitar - 1 tk); Charleen Hamilton (backing vocals),
(Review by Lance).
Kill the fattened calf, the prodigal son has returned! Yes, after ten years in the wilderness squandering his talents on soprano saxophones and bass clarinets, Courtney has returned to his first love, the tenor saxophone. Let jazz fans rejoice and spread the word across the land - Courtney's back and blowing better than ever. Perhaps the bass clarinet years were a form of sabbatical where he sought to rediscover his inner soul before coming to the conclusion that it was time to not just get back into the race, but to win it.
Soulful tenor, tender at times, full of emotion but, when the going gets tough, he's as tough as any tenor ever. Tremendous playing - a bass clarinet just can't handle this much heat even though CP coped with it better than most. Bass flute is more to my ears and, On a Change is Sure to Come, it fits the mood to perfection.
You'll gather that I'm impressed! However, don't go away thinking this is all about the tenor saxophone. No sir! Four tracks feature vocals by Omar. At the recent Sage Gateshead concert Russell, like Stevie Wonder before him, was particularly impressed by the soul singer - You and Stevie Wonder, Russell - On the strength of this album, me too!
Robert Mitchell has never made a bad record in his life (if he has then I haven't heard it) and I doubt if Courtney could have found anyone more compatible. Dankworth and Youngs do what's asked as they always do. Special mention also for Cobbson's guitar solo on The Morning After the Night Before.
I initially viewed the album with some trepidation which, by this time, you'll have gathered turned out to be totally unfounded. So much so, I can't wait to play it again even though I've got a double CD by Cécile McLorin Salvant waiting in the wings!
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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