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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Today Thursday November 16

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Ponyland - Bar Loco, 22 Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:30pm. Free.

TBA – Railway, Wellington St., Gateshead. 8pm.

Mary Coughlan - Queen Vic, 78 Victoria Road, South Shields NE33 5PQ. 0191 447 0290. Doors 7:00pm. £18.00 (advance) from The Word (South Shields Library) or by card, tel 0191 427 4597.

Tees Hot Club w. Kevin Eland (trumpet); Donna Hewitt (sax); Graham Thompson (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 26, 2017

CD Review: Rez Abbasi - Unfiltered Universe

Rez Abbasi (guitar); Rudresh Manhanthappa (alto); Vijay Iyer (piano); Johannes Weidemueller (bass); Dan Weiss (drums); Elizabeth Mikhael (cello).

My apologies for posting the press release as opposed to my own insightful, intelligent observations but, to be honest, after reading it I was totally confused and came to the conclusion that I wasn’t as insightful and intelligent as I thought I was! I listened to it though and despite still being confused I found it a compelling experience. Abbasi is quite a brilliant guitarist; Manhanthappa as I found out from the soon to be released album under his own name – Agrima by Rudresh Manhanthappa’s Indo-Pak Coalition – is no slouch either. That album also featured Weiss. Iyer is now a jazz household name and Johannes Weidemueller is known and acclaimed as both player and educator from Heidelberg to New York City. So whilst the blurb went over my head, the music didn’t. It’s out on Whirlwind on Friday, October 6. 
Lance.

(Press release)
Completing a trilogy of albums whose compositions are infused with the various, colorful strands of traditional music from his Pakistani/Indian homeland, New York guitarist Rez Abbasi’s Unfiltered Universe presents his usual line-up plus guest appearances from renowned classical cellist Elizabeth Mikhael. Previous releases Things to Come and Suno Suno focused, respectively, on Hindustani and Qawwali music, whereas this collection of seven new numbers explores and embraces the more rhythmically exuberant, South Asian elements of Carnatic instrumental music.
 
Originally hailing from Karachi – and creating fresh, contemporary sounds here with players who themselves are all well-versed in north and south Indian music – Abbasi sees his subconscious responses as an equally important source of inspiration alongside the imprint of his treasured, cultural heritage. “I have an intuitive way of approaching composition – an idea of searching but not searching, being conscious but not conscious. So with all of the influences I’ve absorbed (including Indian music, Charlie Parker, John Coltrane, Jim Hall, Keith Jarrett, Led Zeppelin), why would I want a tunnel-vision thing happening when I can have this ‘unfiltered universe’? I’ve had the good fortune to play alongside some great Carnatic musicians – a lot of jazz players don’t get to do that. But instead of interjecting specific Carnatic ideas, I use their energy as a foundation. 

“Earlier albums featured the distinctive sounds of, for example, tabla and sitar – but on this recording, there’s no Indian instrument at all, so it’s an experiment in camouflaging that exoticism. There’s certainly a rhythmic and improvisational empathy between Indian music and jazz; but here, what you’re hearing is what you’re not used to hearing” – something which Abbasi defines more acutely as ‘creative music with a jazz weighting’ rather than the quite different concepts of ‘Indian jazz’ or ‘Indojazz’. 

Abbasi’s complex meters are often based on underlying, architectural structures of expansion and compression which, in propulsive, shifting ‘Thin-king’, give rise to its beautifully searching melody; and enigmatic, tumbling ‘Turn of Events’ finds an exciting, flowing synergy between cello, guitar and sax. Carefully-crafted ‘Propensity’ features a bassline which moves by an eighth note, almost undetected, through multi-time-signatured sections: “There are five-and-a-half beats there, six beats here, like the idea of someone breathing or walking irregularly”. Rock-grooving ‘Disagree to Agree’ is an angular, stoic reflection on prevalent political turmoil; and the contrasting joyousness of ‘Dance Number’ has its roots in Abbasi’s and Mahanthappa’s intense sessions working with a Carnatic dance company, the guitarist’s writing echoing the vitality of their steps and rhythms. 


Rez Abbasi concludes: “With Unfiltered Universe, I’d like to trigger an emotional response which, perhaps, could change something subconsciously. If my music can impact listeners on that level, I feel I’ve succeeded. But my essential musical message is that jazz can also be this – it can be creative without being totally improvised and moving without being stylized. I hope listeners will live this record”.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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