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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 12, 2017

Francis Tulip Quartet (aka Tulip Connection) @ Bar Tutsters, Bishop Auckland, August 10.

Francis Tulip (guitar), Joel Brown (keys), Michael Dunlop (bass), Matthew MacKellar (drums).
(Review by Steve T.)
The young lions of North East Jazz continue their triumphant run towards world domination. With less than a week to promote, the hordes were never going to turn out on a Thursday night in Bishop Auckland. Nevertheless, it was still pretty busy, including some local music luminaries and some local young musicians threatening to put their instruments on eBay.
Tutsters’ landlord, Mick McPherson, has tried his hand at Jazz before with a Tuesday night jam session featuring banjos, cornets, clarinets and, on occasion, a certain guitarist, so all credit to him for having a go.
Much of the Monk stuff featured at the Globe was stepped aside to make way for Wayne and Trane which the guitarist plans to feature with his Birmingham Conservatoire Quartet at Ushaw Jazz Festival in a couple of weeks’ time.
Central Park West from the album Coltrane Sound was a particular highlight, and Francis always illustrates his soulful side on this type of stuff, while Joel’s solo reminded me of McCoy Tyner’s sublime solo on My Favourite Things.
Just when you thought you were watching a band of seasoned professionals, they unleashed their, not altogether secret weapon, hidden around the corner from most of the punters, so I claimed my 'Matthew' seat for his first set solo.
Another secret weapon, Tony Eales, introduced the second set with his customary 'live jazz is good for you'.
More of the same but they'd now settled in with Francis coming to terms with his newly acquired arsenal of pedals, though still behind bass maestro Dunlop.
Matthew’s second set solo was even more impressive than the first; he's always had the chops but the language seems to have grown exponentially in recent times and I felt a pang of pride to have been witness to his growth.
I'd all but forgotten about Impressions, since it didn't feature at their Caff and Globe sets, so it was great to get a more structured rendition than the impromptu, brilliant, mess that blew the Caff jam session apart a while back.
A final Monk piece provided the encore but, like Matthew’s dad, and, I suspect, the landlord, they could have played all night for me.
He's keen to make this a regular thing, so with Mick Shoulder’s Friday lunchtime bash, a successful night at nearby Crook, Durham thriving and Darlo not far away, keep watching this space.
Steve T.     

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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