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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Wednesday, August 30, 2017

Francis Tulip Band @ Ushaw Jazz Festival 2017 - August 26

Francis Tulip (guitar), Will Markham (piano), Tommy Fuller (bass) & Kai Charaeunsy (drums)
(Review by Russell/Photo courtesy of Brian Ebbatson)
Francis Tulip returned to the region bringing with him three of his fellow Birmingham Conservatoire undergraduate music degree students to play a one hour set on day two at this year’s Ushaw Jazz Festival. Guitarist Tulip first turned heads as a member of the Early Birds based at the Lit and Phil in Newcastle, sitting-in at jam sessions, and subsequently working with the likes of Alan Barnes on jazz club dates – all this before commencing his studies in England’s second city!
The quartet arrived at Ushaw some twenty-four hours ahead of a Saturday afternoon slot between two accomplished duos – Emma Fisk and James Birkett and Graeme Wilson and Paul Edis – and took every opportunity to rehearse, playing for the love of it. Gig-goers across the north east were well aware of Tulip’s abilities, but what of his band mates? Coltrane and Shorter featured in the set alongside Sammy Fain, Johnny Green and Kenny Wheeler. During rehearsals the four were tightly grouped together, come performance time they were, perhaps reluctantly, a little more spread out. Ushaw’s Exhibition Hall is a large space for a quartet to occupy and connect with an audience. The Birmingham four – Tulip, Will Markham, piano, Tommy Fuller, bass, and drummer Kai Charaeunsy – focused on the job at hand, Tulip making the announcements, the quartet playing the tunes with élan. Take the Coltrane introduced pianist Will Markham and Tommy Fuller, singing the melody as he laid down a fleet solo on his Fender Jazz Bass. Joe Henderson’s Recorda Me provided further evidence that these guys could play. A ballad – Coltrane’s Central Park West – heard drummer Kai Charaeunsy’s sensitive brush work pointing up fine solos from Tulip and Markham.

Out of Nowhere, Shorter’s Beauty and the Beast with Tulip’s pedal effects, Corea’s 500 Miles High with solos from the impressive Markham, likewise Tulip, this Ushaw Jazz Festival appearance from the Francis Tulip Band did what it threatened to do in almost stealing the show.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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