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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Fred Rowe Funeral Arrangements

The funeral of well-respected and much-loved trumpet player Fred Rowe will take place on Wednesday, December 13 at 14:00 hrs: Lytham Crematorium (Regent Ave, Lytham Saint Annes FY8 4AB). Afterwards - All warmly welcome for refreshments at 2 Chapel Close, Wesham, Preston PR4 3HB.
No flowers by request donations to Parkinson's UK. Should you wish to donate to Parkinson’s research, please contact the Funeral Directors (J & A Porter Funeral Services, Windsor Court, Windsor Road, Ansdell, Lytham St Annes, Lancashire FY8 1AH. Tel: 01253735423) or place in a collection box that will be provided at the end of the service.
"Please do come along, we would love to see as many of Fred’s friends as possible" - Joan Rowe and family.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Monday December 11

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 31, 2017

CD Review: Dave O'Higgins - It's Always 9.30 in Zog.

Dave O'Higgins (tenor/soprano); Graham Harvey (piano/Rhodes); Geoff Gascoyne (bass); Sebastiaan De Krom (drums).
(Review by Lance).
I read the extract below from the notes by Dave O'Higgins and I knew instantly that I was going to like this CD before the needle hit the groove (hypothetically speaking).
“We’ve played a repertoire comprising contrafacts and standards mainly up until now when I decided it was high time to get writing some new original material for these guys I’ve got to know musically and socially well in that time. We're still swinging and playing changes, but there's more trust and swagger to it now - it's always a thrill everytime we play."
Amen!
The title track lives up to expectations. The back cover is set out like a Blue Note sleeve and the music is too - Art Blakey springs to mind. Space precludes me from explaining the title. Suffice to say it's one that Sun Ra may have given his celestial blessing to.
More contemporary tenor swing on The Adventures of Liile Peepsie, the second of eight O'Higgins originals. This is surely a golden age of British tenor sax players and Dave is right up there with them. Likewise, Harvey, Gascoyne and De Krom who combine with O'Higgins to make this as tight a quartet as you'll find whilst, paradoxically, retaining the looseness and freedom that, in the right hands, equate to perfection.
Alien With Extraordinary Ability - where does he get the titles from? - refers to a work visa he had to obtain to get into America to play with the Brubecks. The extraordinary ability could also apply to his soaring soprano technique more akin to a clarinet's fluency. Good skin- work from De Krom.
Nothing to Lose has a Basie/Hefti inspired head. Harvey's piano, less sparse than Basie's, is a lesson in chording a solo, Gascoyne too has his say, as does De Krom whilst O'Higgins hints at Frank Foster without losing his own identity.
Brixton, the first non-original, is by Brazilian accordion virtuoso Chico Chagas who composed it with Dave specifically in mind. A gentle Latin piece. Harvey brings the Fender Rhodes into play, De Krom and Gascoyne are sympathetic and the tenor sax pursues the road Stan Getz charted and maybe even passes him along the way.
Timelessness by Bheki Mseleku - a tenor tour de force and, given the composer, an impossible piano solo!
Three more originals - Morpheus; One For Big G (soprano swings - is this the best soprano solo I've ever heard? It may well be, piano plays like nobody's business, Big G on  bass, I'm assuming 'tis Mr Gascoyne whom Dave has honoured in the title and not Kenny G, lives up to the billing  before the funky New Resolution and some super sop on Humble Origins lead us to a couple of GASsers - Autumn Serenade and Easy Living.
The former, as good a tune as any of the more familiar Autumn songs, sees O'Higgins stretch out without losing balance.
Easy Living is simply beautiful. Ballad playing at its best. I first heard this played by Wardell Gray then later by Stan Getz. This version is up there with them.
Dave O'Higgins said in the quote at the start of this post "It's always a thrill everytime we play"
Well Dave, let me tell you that it's always a thrill when we listen!
Of course, as ever, there's a downside...
The quartet tour the length and breadth of the land ' twixt now and Christmas. 33 gigs starting at Leeds on September 2 and culminating at the 606 club on December 9. You've got it in one! The Leeds gig and Edinburgh on November 22 are as near as it gets to Tyneside.
Samples.
Lance.
PS: Where's Clitheroe? (November 24).
Dave O'Higgins - It's Always 9.30 in Zog is released September 8 on Whirlwind Records JVGO18CD.
Album Launch is at Pizza Express Jazz Club, Soho on September 12.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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