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Bebop Spoken There

Ben Pollack: "The kind of people who go for the old style New Orleans jazz are the same kind of people who go in for collecting antiques." - (Down Beat May 5, 1950).

Flip Phillips: "I heard this band out in California. I think - Lu Waters, isn't it? They sure can march down the street but I wouldn't want to march with them!" - (Down Beat June 15, 1951).

Today Monday June 26

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
????????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 14, 2017

Samuel Eagles' Spirit @ The Globe - June 13


Samuel Eagles (alto); Duncan Eagles (tenor); Ralph Wyld (vibes); Sam Leak (piano); Max Luthert (bass); Dave Hamblett (drums).
(Review/photo by Lance/B & W photos courtesy of Ken Drew).
The Eagles eventually landed - a flat tyre en route delayed their arrival. However, another bird, Wylam Breweries' Red Kite kept our Spirits high until at last the band was up and flying.
As you will gather from my recent review of their new CD it's a very impressive album indeed and all the plaudits posted then apply now. However, there is a difference. Even if you have the best Bose sound system in the world, it pales against hearing the participants live - even after a seven hour, incident-packed drive!
Eagles, the younger, composed all 8 pieces and had the lion's share of the solos. A full-toned, angular player, he soared effortlessly through the changes. Well, he would do, wouldn't he? He wrote them himself! Big brother Duncan had fewer solos but when he did, he seized the moment. Perhaps a more contemporary player than Samuel (the jury's out on that one) he also contributed to the rich ensembles. Sometimes in unison, more often in harmony and frequently in a contrapuntal almost fugue-like fashion. This was no mere 'blowing band'.
Wyld is rapidly becoming one of the UK's leading vibes players and neither he nor pianist Leak got in each other's way. Luthert and Hamblett were solid at the back with Hamblett having several chances to shine.
He shone.
Luthert set his stall out in the introduction to the enigmatically titled Changed, Changing Still. An engine room operative first class.
Great solos from all, but the cream in the coffee is the compositions and the arrangements. Beautifully set out with the tension building almost imperceptibly until suddenly, the clouds are beneath you.
Difficult to pick out any one piece but my own favourite was Hope in the Hills. I felt this had a highland feel to it and imagined it was inspired by a gig in Scotland. Picture my surprise when Samuel told us it was about a gig in Italy! It didn't detract from my enjoyment of the music.
A gig, like the CD, to remember and reflect upon.
Lance.
More Ken Drew photos.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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