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Bebop Spoken There

Ben Pollack: "The kind of people who go for the old style New Orleans jazz are the same kind of people who go in for collecting antiques." - (Down Beat May 5, 1950).

Flip Phillips: "I heard this band out in California. I think - Lu Waters, isn't it? They sure can march down the street but I wouldn't want to march with them!" - (Down Beat June 15, 1951).

Today Monday June 26

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
????????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 06, 2017

CD Review: Kevin Fitzsimmons - Working Day and Night

Kevin Fitzsimons (vocals); Leon Greening (piano); Adam King (bass); Matt Fishwick (drums); Frank Griffith (ten sax); Lloyd Haines (ten sax on bonus track).
(Review by Ann Alex).
The information sheet provided with this review CD (from Beaconville Music) was a reviewer’s dream, with all the gen listed in bullet points and all you needed to know at the top of the sheet. I wish they were all like this. So I learned that this is Mr Fitzsimmons second album, recorded live at Soho’s Pizza Express Jazz Club  in 2016, and the album launch is at the same establishment on June 18 at 1pm. We have Gasbook songs, soul and rock classics, and two Fitzsimmons compositions, all inventively sung well, by our more than competent singer and a stellar band.
Fitzsimmons; a Londoner, a bandleader, a songwriter and a performer  at Ronnie Scott’s and further afield. His vocals have been used in TV and radio commercials. What’s more, our singer also did the original artwork on the CD cover.
The opening track, Working Day and Night, is busy, speedy, with lots of repeated notes in the piano solo, suiting the subject well. The original Don’t You Dare Get Bored With Me is edgy, with musical references to Work Song, when work is mentioned, and Old Devil Moon is made more devilish by  being sung in short sharp phrases. Sting’s Every Breath You Take is a real swinger, with clever band references to Don’t Get Around Much Any More. Here’s That Rainy Day becomes a Latin style tune and the original, Cuban Alibi, another Latin, is an edgy song about a last time meeting with a lover.
Other tracks are: This Masquerade and It Never Entered My Mind. The CD is cleverly finalised with a bonus track of Georgia On My Mind, an extended version with lots of playing around with the lyrics and an extremely long vocal note, a bit of forgivable showing off, forgivable because the singer and the band deserve to be listened to.
Available from Cadiz Music on the Jazzwurx label, cat no. JWR012CD from June 9. See www.jazzwurx.co.uk
Ann Alex.   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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