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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Friday August 18

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Levee Ramblers New Orleans Quartet - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening
Kentucky Cowtippers - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Ray Johnson & Richard Herdman - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 8pm.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 24, 2017

CD Review:: Elijah Rock - Gershwin for My Soul

Elijah Rock (vocal); Kevin Toney (piano); John B. Williams (bass); Greg Paul (drums); Jacques Lesure/John Stone (guitar).
(Review by Lance)
I must confess, I didn’t know Elijah Rock from Adam Ant (biblical/music joke) and it maybe wasn’t intended for me anyway as our vocal prophet made reference to me alongside the Birmingham/London based jazz blog, the Jazz Breakfast. However, Peter Bacon was happy to pass the baton on to me and, in retrospect it may not have been the best decision he ever made – unless he’s a Cole Porter man.
Think Billy Eckstine, Johnny Hartman, Cleveland Watkiss and the other rich-toned baritones that have enriched the jazz scene over the years. Elijah is on the fringe of that select group and, on the evidence of this album he’ll soon be an integral part of it.
It’s not all Gershwin, well actually it is ‘cept occasionally, its bro Ira who keeps the family flag flying (e.g. lyric to Vernon Duke’s I Can’t Get Started and, with respect, would the tune have made it without that great lyric? Ira also collaborated with Kurt Weill on Tchaikovsky and other Russians).
There are two major plusses. He DOESN’T sing Summertime and he DOES sing Isn’t a Pity?
Those magnificent lines regretting the missed opportunities:
Imagine all the lonely years we've wasted,
Fishing for salmon, losing at backgammon!
What joys untasted,
My nights were sour, spent with Schopenhauer!
Throw in some super sensitive piano by Toney and a solid engine room and it  truly is - S’wonderful; Fascinating Rhythm; I Can’t Get started; How Long Has This Been Going on?; Long Ago and Far Away; Our Love is Here to Stay; Shall we Dance; Gershwin for my Soul (original); Tchaikovsky (and other Russians); Love Walked in; I Got Plenty O’ Nuttin’; Isn’t it a Pity?
As good a shot at Gershwin this side of Ella.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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