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Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Thursday February 22

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Alan Benzie Trio - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £10.00. & £8.00 (advance).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. students/MU).

Strictly Smokin’ Big Band - Millstone, Haddricks Mill Road, South Gosforth, Newcastle NE3 3DB. Tel: 0191 285 3229. 7:00pm. Free

Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 9:00pm.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w Richie Emmerson (tenor); Kevin Eland (trumpet); Ted Pierce (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 12, 2017

CD Reviews: Frank Kohl Quartet – Rising Tide. Sandro Zerafa – More Light.

(Reviews by Steve T)
Rising Tide
Frank Kohl (guitar), Steve LaSpina (bass), Tommy Kohl (piano), Jon Doty (drums).
This is Kohl’s fourth album, the first being in 1981. He's a native of New York, where these sessions come from, but is generally based in Seattle. From the Beatles in the sixties his training and tastes progressed through Clapton, Hendrix and the blues to Wes Montgomery with Jimmy Smith, Pat Martino and Jim Hall, but it was seeing Tony Williams' Lifetime with Larry Young and John McLaughlin that made him realise anything was possible in Jazz.
Kohl studied at Berklee during its guitar golden age, while Schofield and Metheny were still students.
The album features eight tracks, including five originals, a live version of Rodgers and Hart’s My Romance and two by Victor Young, including a solo guitar piece to close the album.
Nothing much else to say except the songs are fine and the playing is excellent and the notes claim that  smooth exteriors and genuinely emotional interiors make for a difficult balance and listeners will decide whether he pulls this off. I think he probably does but my heckles don't automatically burst through my clothes when I read the 'S' word.
More Light
Sandro Zerafa (guitar), Yonathan Avishai (piano), Yoni Zelnik (bass), Lukmil Perez-Herrera (drums), David Prez (tenor sax).
Also a fourth album, Zerafa’s a native of Malta but now in Paris and he's absorbed Wes Montgomery, Jim Hall, Grant Green and Peter Bernstein. It's a multi-national band from Israel, Cuba and France and there's a slight, subtle Brazilian flavour running through for the many people this appeals to nowadays.
The album features nine originals with added bonus of sax on three of them, which elevates it above the Kohl album but, without which I doubt I could separate them in a blindfold test.
The songs are fine and the playing is excellent and the notes claim a certain contemporary cool, far removed from frenzy and fury, but to these ears it may have benefitted from a little F and F.   
Lance, I gather, was impressed by Zerafa’s previous album
A Future of Music.
We often speculate whether music will stand up to repeated listening, but maybe we're approaching it all wrong.
Go back a generation and most people watched films once but played albums incessantly until the fillers made as much sense as the hits. Go back another and most people only knew the hits.
Nowadays it's common for people to watch films over and over again so maybe it's okay to listen to albums a couple of times, maybe pull of a couple of key tracks or come back to it in the future, and then move on to the next album, while retaining the genuinely great albums.
Steve T.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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