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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 20, 2017

CD Review: Matt Holman - The Tenth Muse

Matt Holman (trumpet); Chris Dingham (Vibes); Bobby Avey (piano); Sam Sadigursky (reeds/flutes).
(Review by Steve H).
Inspired by the love poetry of Greek poetess Sappho written some two and a half millennia ago New York based trumpeter Matt Holman has produced   The Tenth Muse consisting of 16 fragments. Each piece is titled fragment nnnx where nnn is a number between 4 and 168 and x where populated is the letter a,b or c. The accompanying liner notes have snippets of Sappho’s  poetry relating to  each fragment -  for example track 8 fragment 168b reads –
Moon has set and Pleades: middle night, the hour goes by, alone I lie.
Every fourth piece is a solo improvisation (120,67a,34 and 18)  one for each band member which segment the other fragments up cleverly. Holman’s stark trumpet tends to dominate proceedings although, the entire album is wonderfully augmented by the collaboration of the other very fine instrumentalists. Some of the harmonies are indeed glorious. There is a certain haunting dreamy moodiness which pervades throughout with occasional lightness provided by Chris Dingham on vibes and Bobby Avey on piano whilst Sadigursky, playing an assortment of instruments, adds both variety and intrigue.
All in all a highly charged, melodic, deep atmospheric listen. One for pondering the meaning of life rather than one for dancing round the living room to.
Steve H.
Listen/buy.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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