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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Tuesday August 22

Afternoon
??????
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 13, 2017

Blaydon Jazz Club goes Lickety Split!

(Preview by Russell/photo from archive)
Easter Sunday at the Black Bull, Blaydon marks Lickety Split’s debut gig at Blaydon Jazz Club. The West Coast to bop outfit never fails to deliver a great show. Led by trombonist Eddie Bellis, Lickety Split play a choice selection of West Coast cool to bop-tinged charts. The affable Bellis leads some of the north east’s finest; Paul Gowland occupies the tenor chair, Alan Marshall, alto. Kevin Eland, based down in the Tees Delta, blows Maynard Ferguson-style trumpet when the fancy takes him, and fellow Teessider, pianist Jeremy McMurray, plays all eighty eight keys every which way, doing so with consummate ease.
The young man in the band is none other than Blaydon Jazz Club veteran Bradley Johnston. Brad, under age at the time, shared the stage with mentor Dr James Birkett on several occasions. These were revelatory times…Brad’s abilities astounded the Blaydon audience, and now, as a First Class Honours graduate, the unassuming Wearsider plays guitar with Dr Birkett, in a recently established duo with vocalist Lindsay Hannon, leads his own trio, and fulfills numerous other engagements on the jazz scene, not least the prestigious solo jazz guitar spot at the Cherry Tree in Jesmond.
Lickety Split’s bass and drums – Alan Rudd and Paul Wight – have been around the block a couple of times. Rudd is a prominent figure on the New Orleans/Dixieland scene, this West Coast gig is an ideal opportunity to hear him, equally at home, in a Modernist context. Paul Wight works across the spectrum (jazz and beyond) and holds the coveted drum chair in piano maestro Alan Glen’s superb trio.
It’s a long holiday weekend. The Black Bull (a CAMRA-listed pub) Sunday April 16, an eight o’clock start, an absolute bargain fiver admission at the door…that’s your Sunday evening sorted!  
Russell.               

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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