Total Pageviews

Bebop Spoken There

Alicia Hall Moran: “I would go to hear Jason's band play and I'd say "Y'all hot!" But they came out wearing these casual, saggy outfits, putting music out with these not-attractive outfits like they were going on interviews for jobs they didn't want.” – (DownBeat May 2018).

Shabaka Hutchings: “You have to get the funding to come here [New York], and then there's getting the proper visa to play, which costs more than we get paid.” – (DownBeat May 2018).

Today Thursday April 19

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Student Performances - King’s Hall, Armstrong Building, Queen Victoria Road, Newcastle University NE1 7RU. 4:00pm. Free admission. Performers include Ada Francis (voice); Simon Hirst (trombone) & Harry Still (drums).

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening

Paul Edis Trio - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £6.00.

Indigo Jazz Voices - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. Vocalists with Alan Law Trio.

Ada Francis & the Italic Quartet - Las Iguanas, Grey Street, Newcastle NE1 6AF. Tel: 0191 232 9729. 7:30pm. Fortnightly restaurant residency.

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

The Strictly Smokin' Sessions - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:15pm. £8 (£6 conc.). JNE. Small groups from SSBB.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club Guest Band Night w. Paul Donnelly Trio - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free. Donnelly (gtr); Stu Collingwood (keys); Paul Smith (dms).

Jazz Night - Musiclounge, 21 Yarm Lane, Stockton TS18 4DR. Doors 7:00pm.

Ubunye - Whorlton Village Hall, Barnard Castle DL12 8XD. 7:30pm. Tel: 01833 627253. £10.00. (£5.00. child, £25.00. family).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 11, 2017

Big Bad Wolf @ Bridge Hotel, Newcastle. April 9. Jazz North East.

Rob Luft (guitar, vocals), Owen Dawson (trombone, synthesizer, vocals), Michael de Souza (Fender bass 6, vocals), Jay Davis (wonderfully coloured drums).
(Review by Steve T/Photo courtesy of Ken Drew).
When Steve Hackett auditioned for Genesis, Gabriel (Peter) noted that all the guitarists coming through were about 'flash', while Steve was more about colours. There was ample evidence here of the flash that Luft is more than capable of (as was Hackett), but it was sparse and tastefully spread over the two sets, with more multi colors than Saturday morning TV in the 1970’s.
Luft made the announcements, advising that they record themselves improvising, cut it up and play it with virtually no improvising; what he likes to call Reverse Jazz.
Each of them, apart from the drummer, did some singing, some with lyrics and some without, occasionally a little like the efforts of Tony Williams and Stanley Clarke in the early days of fusion, but had it been 1972, white British musicians making this music would have gone straight to the prog rock camp. Think Pink Floyd with a kick-ass drummer, a brilliant guitarist and a pair of b^!!$.  
As a technophobe, the stacks of pedals sometimes seem as difficult to manage as playing the instruments, but there was plenty of musicianship on show from all concerned.
Drummer Jay Davis playing masterful syncopation through multiple shifts in pace and time signatures.
Owen Dawson playing the ‘bone mostly for melody and atmosphere, until the final piece where he took an impassioned solo, the longest of the set and the only one to draw applause, but it's often the case in this type of setting that solos and their endings are difficult to pin down; the old Weather Report idea of we never solo we always solo.
Michael de Souza played a Fender bass 6 which enabled him to slip seamlessly between bass, rhythm and a fine lead part during the penultimate track.
Luft took two sublime solos during set one and his rhythm and comping was immaculate throughout. I hoped he would follow the trombone solo with a barnstorming solo to finish, but he went for jouissance which worked for me, while leaving me wanting more. Maybe next time he'll bring a trio which will be amazing in a different way.
I tend to make a note of appropriate guitar names and get into bother for always including Metheny, but we agreed on Mike Walker and Steve Howe, while FDT suggested Alan Holdsworth, prog turned Jazz rocker, former Level 42er who some consider the greatest ever.
There were overt influences from Brazil, some ambience and some strikingly beautiful soundscapes in a set drawn mostly from the imminent album which, unless you hate this strand of Jazz, I strongly recommend you give a listen to.
A couple of dozen made this the busiest I've ever seen it and great to see a number of young people, including some females but don't worry, the boys were far more afraid of them than they were of the boys.
Steve T.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!