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Bebop Spoken There

Don Rendell: “The public...complain of a lack of modern jazz in their area and then don't support it when it arrives." - (Melody Maker, May 5th 1962)

Ronnie Scott: "People are just not prepared to sit and listen to jazz during the week." (Melody Maker, July 21st 1962)

Today Thursday July 20

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Evening.
Sarathy Korwar Quintet - Black Swan, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 1SG. 8pm. £10. (£8 conc.).JNE gig.
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Tyne Valley Big Band + Tyne Valley Youth Big Band + Tyne Valley Junior Jazz Ensemble -Phoenix Bar, Chisholm Place, Hexham. 6pm (Collection).
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Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE, 8:30pm. Free.
Screamin' Miss Jackson & the Slap Ya Mama Big Band - The Schooner, South Shore Rd., Gateshead. 8:30pm. Free.
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Tees Hot Club w. James Harrison (piano); Richie Emmerson (tenor); Ray Dales (alto) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 13, 2017

CD Review: Jason Anick & Jason Yeager - United

Jason Anick (violin/mandolin); Jason Yeager (piano) + (on various tracks) - Greg Loughman (bass); Mike Connors (drums); John Lockwood (bass); Jerry Leake (perc.); Jason Palmer (trumpet); Clay Lyons (alto); George Garzone (tenor). 
(Review by Lance).
Anick and Yeager, now fellow Berklee instructors, have collaborated musically since their teenage years. That they have a natural empathy shows here - the chemistry is there. Anick can certainly swing on those occasions where it's demanded as well doing a little contemporary probing. Yeager is the ideal sparring partner/confidante in the manner of Brubeck and Desmond all those years ago. Feeding each other lines, drawing mutual inspiration musical soulmates.

For me, the icing on the cake is the tracks augmented by one or other of the horn players. The third Jason (Palmer) is particularly impressive on Harlem Hoedown, Clay Lyons shines on the appropriately named Bird's Eye View and Garzone flies on Turbulent Power. Most of the compositions are by either of the co-leaders with the exceptions being George Harrison's Something where Anick manages to coax some appealing sounds from his mandolin, so much so, it sounds more like a guitar - I wonder, did he do away with the double strings? The album concludes with the ubiquitous All Blues.
Special mention of Yeager's homage to Billy Strayhorn in the lyrical Sweet Pea I doubt if even Duke could have done it better! Joshua Redman is also honoured with Anick's Well Red.
All in all, an enjoyable album .it won't make the car stereo but neither will it be dispatched to the Oxfam Shop.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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