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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 05, 2017

Lickety Split @ The Globe Jazz Bar - February 4

Kevin Eland (trumpet/flugel); Alan Marshall (alto/tenor); Eddie Bellis (tromboone); Graham Don (piano); Bradley Johnston (guitar); Alan Rudd (bass guitar); Sid White (drums).
(Review by Lance).
Li'l Darlin'; St. Thomas; Filthy McNasty; Sandu; Straight no Chaser; Doxy; Del Sassa; Curious George and Basie Street were just some of the numbers I recognised, or were occasionally identified by frontman Bellis, The set list gives a broad indication of where Lickety Split come from.  Neither east coast or west but straight down the middle, mainstream to modern, swing to bop and beyond, Seven good men and true, all masters of their craft.
Although we were on the second floor, Eland seemed to be blowing two flights higher. Think Maynard and Cat.
The previous evening Marshall had been playing pre-1940's swing with the NCRO, this evening he'd moved forward twenty or thirty years, I wonder where he's playing tomorrow, in a Tardis perhaps?
Bellis blows 'bone like a 'bone should be blown. None of this typewriter twittering, but earthy sounds that hark back to the instrument's jazz roots without losing track of time or identity.
Many words have been written about Brad on guitar - suffice to say that he fits in here as easily as he does in any situation.
Likewise Rudd. He does the job irrespective of style. Upright acoustic or sit down electric he's our man.
On drums, Southpaw Sid was, as ever, a knockout but the big surprise was Graham Don on piano. A last minute dep., he produced some stunning solos that made those who were only familiar with his limited exposure in the SSBB realise just how good he was.
An excellent band.
Photos.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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