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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 01, 2017

Garland and Paterson reactivate Lammas in Eyemouth














(Press release)
Saxophonist Tim Garland rejoins his partner in Celtic jazz group Lammas, guitarist Don Paterson for three Scottish gigs this month including a visit to Eyemouth Hippodrome, a few miles north of Berwick upon Tweed, on Saturday 11th February.
Garland, who subsequently joined Chick Corea’s The Vigil and enjoyed a three-year post as Composer-In-Residence at Newcastle University, co-led Lammas with Paterson throughout the 1990s, recording five albums and touring widely before Paterson’s work as a poet and demand for Garland talents as a saxophonist and composer caused an amicable split in 2000.
As well as The Vigil, Garland went on to play with Bill Bruford’s Earthworks and in Storms/Nocturnes with vibraphonist Joe Locke and pianist Geoff Keezer as well as fulfilling commissions from the Royal Northern Sinfonia, and the London Symphony, the City of Birmingham Symphony and BBC Concert orchestras. He premiered his Re:Focus, a re-imagining of Stan Getz’s 1961 orchestral album, Focus, at Wigmore Hall during London Jazz Festival in November.
Paterson’s work as a much-decorated poet has seen music taking a back seat for much of the past decade but he returned with a new band early last year and for the upcoming gigs he and Garland will be working with keyboardist Steve Hamilton, who is currently between tours with drummer Billy Cobham’s band.
The Eyemouth Hippodrome gig launches a new jazz season at the venue, with guitarist Nigel Clark following on 11th March, saxophonist Brian Molley’s quartet on 29th April, Edinburgh collective Playtime on 13th May and Peter Whittingham Jazz Award winning Glasgow quartet, Square One on 3rd June.
“Tim and always I kept in touch and we’ve played together a few times informally since Lammas,” says Paterson, who also plays St Andrews (25th February) and Glasgow (26th) with Garland and Hamilton. “But these will be the first gigs we’ve done together in sixteen years and I’m really looking forward to working with him again in what is to all intents and purposes a Lammas reunion.”

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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