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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 12, 2017

CD Review: Sidney Jacobs - First Man

(Review by Ann Alex)
This is the second CD from Los Angeles singer, songwriter and arranger, Sidney Jacobs. Although a trained psychologist, Jacobs has always been interested in music, first singing as a child in a Presbyterian Church choir, and subsequently influenced by gospel, soul, folk and R&B music.  He has done classical and operatic singing and has performed jazz in Southern California. His voice has a rich resonant tone.
The songs on the CD include 7 original compositions, and standards by Rodgers and Hammerstein, Bill Withers, Kendrick Lamar, Sacha Distel and James Taylor. The band is a competent mixture of seasoned professionals and up-and-coming musicians. 

The problem I had with the CD was that most of the original songs were not interesting enough, with nothing in the lyrics or tunes to latch on to, with the tunes sort of wandering about a bit, rather than having much ‘punch’. There were titles such as Sabine’s Grind; Long Walk. One original that I did enjoy was Last Night, which did have clever sharp words about how changeable women could be, with a very jazzy tune. The other effective tracks were Bill Withers Lonely Town, Lonely Street, good lyrics and an interesting repeated riff to accompany the singer; Distel’s The Good Life, which had a voice and bass opening and a lively piano solo; and James Taylor’s Secret Of Life, with voice and piano only, which was very sensitively sung.  
This is a CD which I’d judge as a missed opportunity; others listeners may not agree.
Available on Amazon, ITunes and CD Baby from 23rd January 2017. A sample is on soundcloud.
Sidney Jacobs (vocals); Zephyr Avalon (acoustic & electric bass); Michael Jarvey (piano, electric piano, viola); Josh Johnson (alto sax); Wendell Kelly (trombone); Josh Nelson (piano); Greg Poree (acoustic & electric guitars); Nolan Shaheed (trumpet); Justin Thomas (vibraphone, marimba); Cathy Segal-Garcia (backing vocal); Francesco Canas (violin).

Ann Alex

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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