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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 17, 2017

CD Review: Kurt Rosenwinkel - Caipi

(Review by Steve T).
According to my source, Rosenwinkel is, with McLaughlin and Metheny, the most important living Jazz guitarist.
Caipi has been ten years in the making and is the first release on his own label Heartcore Records. It features eleven originals and is his most radical musical progression, certainly since the jump from Enemies of Energy to the Next Step early in his career, and probably ever.
It's a highly personal work, featuring Rosenwinkel playing most of the instruments himself, though guests include Eric Clapton, Mark Turner, multi-instrumentalist Pedro Martins and Amanda (daughter of Elaine Elias and Randy Brecker).

There's basic fusion aplenty, the Metheny, Schofield, Frisell influence still much in evidence, but there's a marked assimilation of Brazilian music and particularly the Brazilian Love Song, including Portuguese lyrics sang beautifully by Amanda Brecker on Kama.
However, most of the vocals he handles himself in a frail, sensitive voice reminiscent of Gerry Garcia of the Grateful Dead, mainstay of the San Fransisco hippy scene who survived it for almost forty years, in part due to a strong Jazz influence. Like Garcia, he gets away with it because it gives it a very personal feel, the exception being Hold On where he sounds like a not very good singer in a not very good Britpop.
There's excellent contributions from Mark Turner playing sax on two tracks: Ezra and Casio Escheron, providing continuity from his previous recordings.     
As the prog, rock, pop, psychedelic influences escalate, the Jazz content inevitably reduces but his fluid, inventive guitar playing ensure it's still accessible to the Jazz fan, particularly fusionistas and especially guitar fans, of any persuasion, who'll no doubt buy it in droves.
It's been available since last Friday, February 10.
Steve T.

Kurt Rosenwinkel (guitars, bass guitar, piano, drums, percussion, synth, casio, voice); Pedro Martins (voice, drums keyboards, percussion);  Eric Clapton (guitar); Alex Kosmidi (baritone guitar); Mark Turner (tenor sax); Kyra Garey, Antonio Loureira, Zola Mennenoh, Amanda Brecker (voice); Frederika Krier (violin); Chris Komer (French horn); Andi Haberl (drums).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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