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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 10, 2017

BABMUS @ The Jazz Café. February 9

Tom Bearpark Quartet: Tom Bearpark (keyboards), Thomas Dixon (alto & tenor saxophones), Stephen Wall (bass) & Adam Watson (drums) + guests
(Review by Russell)
BABMUS is a new partnership between Sage Gateshead’s thriving music education set-up and Newcastle’s Jazz Café. BA and BMus degree courses are delivered at Gateshead (hence BABMUS) and Newcastle’s Pink Lane jazz venue has kindly agreed to provide a regular gigging opportunity to the student musician. The Jazz, Popular and Commercial Music degree course has produced a significant number of success stories with alumnus making their mark in an ultra-competitive music world.

The opportunity to perform in a ‘live’ setting, in front of a paying audience is considered key to the development of the aspiring musician. Pianist Tom Bearpark is the young man in this Tyneside vanguard and who knows, one day Tom and his student friends could be performing at the Village Vanguard, NYC. Course tutors kept out of the way, the gig is a student-run gig. Bearpark imposed a three line whip thus ensuring fellow students turned out in force, making for a supportive environment and bar sales turned over (this is a jazz gig imperative), no doubt making the Jazz Café’s manager a happy bunny on the night!

Tom Bearpark leads the band, Thomas Dixon fronts the band. Bearpark cuts a shy figure, Dixon likewise, but someone has to do the talking so it fell to the amiable Dixon, playing alto and tenor on this gig, to say ‘hello’ and introduce the tunes. The quartet played many familiar numbers and, growing in confidence, launched into a freer piece culminating in a coruscating tenor workout…the sound of things to come! Several students sat in – female vocalists to the fore – and the Bearpark Quartet with the excellent Stephen Wall, bass and drummer Adam Watson completing the line-up went out on a high with Wonderful World (it was wonderful, featuring Wall’s into) and, right up Bearpark’s street, a rousing take on Horace Silver’s Song for my Father.

BABMUS has made an encouraging start with audience numbers exceeding expectations.  The session isn’t a free admission gig – it’s a real world, commercial proposition. Give it a try, show your support, a BABMUS gig is well worth catching.               

Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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