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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 05, 2016

Kathryn Williams & Anthony Kerr @ The Globe: December 4

Kathryn Williams (vocals, guitar); Anthony Kerr (vibes)
(Review by Ann Alex).
Definitely the most unusual, freshest take on the Gasbook that I’ve heard this year, in fact for a long time. The voice was entrancing, sweet, with strong lower tones and the songs were sung with passion and heartfelt emotion. Ms. Williams is known as a contemporary folk singer and I’d go as far as to say that she brought to the songs a certain folk-like innocence which made this listener feel as if she was hearing the songs for the first time. This was partly achieved because the singer sang in English rather than with American intonation and language, for instance, ‘since my man and I aren’t together’ (not ain’t). The song was definitely the thing in this performance.
All was apparent simplicity, a stripped back performance. The vibes accompaniment was fittingly spare with just a few short solos and the songs were kept short, sometimes with no repeats. The audience gave the performance rapt attention as they soon realised that they may get just one chance to hear the words. A new way to perform these songs, which included, You Don’t Know What Love Is; My Funny Valentine; Every Time We Say Goodbye; I’m A Fool To Want You; Like Someone In Love; The Very Thought Of You; The Man I Love; Sweet Embraceable You; Stormy Weather; Autumn Leaves.
The gig actually began with a short set of the type of songs which I guess Ms. Williams’ audiences are more used to hearing. She accompanied herself on guitar, doing tunes on various subjects such as refugees, rock stars who are no longer with us, and tender love songs with skilled lyrics, such as ‘loneliness was never a part of us’.
Another great night at the Globe.
Ann Alex  

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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