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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Saturday December 16

Afternoon

?????

Evening

Strictly Smokin’ Big Band -Gosforth Civic Theatre, Regent Farm Road, Gosforth NE3 3HD. Tel: 0191 258 4111. 7:30pm. Second night of two.

An Evening of Swing & Sparkle - National Glass Centre, Liberty Way, Sunderland SR6 0GL. 7:00pm. Tel: 0191 515 5555 (booking essential). £35.00. Rat Pack act, four course meal.

No Time for Jive - The Tannery, Gilesgate, Hexham NE46 3QD. Tel: 01434 605537. 9:00pm. Free.

Lyndon Anderson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Snow Ball - St Mary’s Heritage Centre, Oakwellgate, Gateshead NE8 2AU. Tel: 0191 433 4699. 7:00pm. £19.00. Strictly Speakeasy (swing band) & Lindy jazz dance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, December 03, 2016

Jambone @ St James’ & St Basil’s Church. Dec 2

(Review by Russell)
Jambone, Sage Gateshead’s youth jazz ensemble performed in concert in a church setting on Friday evening. St James’ and St Basil’s in Fenham, Newcastle welcomed an audience of family, friends and supporters of the band on a rain-swept night. Wine and nibbles and, perhaps surprisingly, an above-freezing venue augured well.
Jambone’s Musical Director, Dr Paul Edis played an introductory solo composition at his well-travelled keyboard. The church piano stood idly by – perhaps it wasn’t up to scratch. Montage (comp P. Edis) focused the collective mind of the congregation. The Jamboners were champing at the bit and a couple of them stepped forward to join Edis to play on the evergreen On Green Dolphin Street

Edis introduced the Ben Lawrence Trio. The pianist, B. Lawrence, the same B Lawrence, trumpet, of the hothouse Early Bird workshop band, played three tunes in the company of Alex Shipsey, bass and Dylan Thompson, drums. A bop anthem for starters – Anthropology – gave the trio the opportunity to show what they could do. The echoing acoustics, not the best, Thompson sensibly chose to use brushes for much of the evening. The waltz-time Someday My Price Will Come is a challenging tune for the more experienced musician and it is to the credit of the young trio that they gave a good account of themselves. Lawrence’s intro to the third and final number – Beatrice – caught the ear, and it was Edis who subsequently informed the audience that we had been listening to Robert Glasper’s 7/8 arrangement. Well done, lads!

Following a short interval the full band assembled on stage. In recent times Jambone has experienced administrative difficulties but under Edis’ guidance, the ensemble is now able to boast a full complement in all sections. Indeed, the band’s rhythm section featured not one but two drummers as Gene Krupa and Buddy Rich sat at the back ready to engage in   friendly battle. The Coast (comp P.Edis) introduced the band’s two flautists – Ms Megan Robinson and Ms Imogen Davies-Pugh – with further solo contributions from another of the Early Birds, pianist Philip Grobe, and the impressive guitarist, Matthew Downey.

Edis wanted to play something Christmassy…if you must (bah humbug!). Well, what do you know? Something akin to Thomas Tallis’ Forty Part Motet revealed colourful, and, at times, wonderful, near-dissonant, voicings. 3/4 but not 3/4 did what it said on the tin. Enjoyment is key, and band members were clearly enjoying themselves, exemplified by the always smiling Alex Shipsey, bass. The penultimate number of the evening featured altoist Alex Thompson. Standing out front, Alex played When All is Said and Done. One astute listener remarked: He’s got a great tone.

To close the concert, TS Monk (a religious calling for some!) with Edis’ arrangement of the great man’s Bright Mississippi. Jambone is going from strength to strength. Soloists pepper the sections – the aforementioned flautists, Nick Caughey (returning from a first term at university to play the gig), trumpet-player Lucien Guest alongside the versatile Lawrence and another Early Bird talent, James Metcalf. Oh, yes…Krupa and Rich, aka Rory Gardener and Dylan Thompson! The band gigs regularly. Hear them at HQ (Sage Gateshead, December 10) with further prestigious gigs in the book in 2017.


Jambone: saxophone: Nicholas Caughey, Ryan De Silva, Henry Schmid, Ella Talbot; flute: Megan Robinson, Imogen Davies-Pugh; trumpet: James Metcalf, Ben Lawrence, Lucien Guest; trombone: Darcy Whyatt, Kate Garnett; piano: Phillip Grobe; guitar: Matthew Downey; bass: Alex Shipsey; drums & percussion: Rory Gardener, Dylan Thompson                                    

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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