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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Wednesday August 16

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Maine Street Jazzmen - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.
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Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).
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Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 23, 2016

CD Review: Larry Corban - Corban Nation.

Larry Corban (guitar); Harvie S (bass/bass guitar); James Weidman (piano/B3); Steve Williams (drums) + Steve Slagle (soprano/alto).
(Review by Lance.)
This one's been on the backburner for a while. Reviewers will be familiar with the scenario - you earmark an album for review and another six come through the mailbox...
Well, all that arrived today was a catalogue from The House of Bath offering bargains galore - why do these catalogue people have to use such shiny paper?
So, tonight it was just me and Larry Corban and the Aperturistic Trio plus, on three tracks, Steve Slagle.
A delightful disc that doesn't seek to push any boundaries and, if the leader's statement that The energy this group generates on this recording is akin to capturing lightning in a bottle may be slightly over the top it cannot be denied that they do blow up a storm.
Corban, whom I presume, composed most of the nine compositions (I Should Care being the token standard and, likewise, Segment - the jazz standard.) can swing or rock as the mood takes and the moods do vary. Example; Harvie S' bowed bass head on Child's Tune leading nicely into Corban's most melodic offering with Weidman maintaining the feeling. This, however, is one of those albums where each track has its own characteristic, each one offering contrasting delights and, as a bonus the three  tracks with Slagle on soprano or alto, the icing on the cake.
There are influences - Metheny, Martino, Scofield, McLaughlin. Which of today's guitarists hasn't absorbed the teachings of those Grandmasters? But there's a difference between influence and cloning. Corban walks the same broad avenue but at his pace taking the occasional alternate route, sometimes looking backward, sometimes looking forward, but getting there just the same.
Not surprisingly, it's self-released (the label's name gives it away - Nabroc Records) and, excellent as it is, in today's market I doubt if it's going to unleash too much lightning from the bottle.
Lance.
HOW WRONG CAN I BE?
Just heard it on the Grape that the album is now number 3 on the RMR Top 50 Jazz Chart.
Number 8 on the CMJ Top 40 Jazz Chart, along with being the 'Biggest Gainer' and 'Most Added' at Jazzweek.
Now, I'm not quite sure what all these accolades add up to - me being an Englishman in Newcastle - but it sounds to be more than a hill of beans. Best check it out here.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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