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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Wednesday August 16

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Maine Street Jazzmen - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.
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Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).
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Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 03, 2016

CD Review: Jonathan Silk – Fragment

(Review by Russell)
Drummer Jonathan Silk’s new album on Stoney Lane Recordings features no fewer than thirty three musicians conducted by fellow drummer Andrew Bain. Thirteen of them are string players augmenting something approximating a conventional big band line-up. The strings are heard first on Introduction with tracks two and three gradually introducing one or two soloists from the jazz ensemble - first featured soloist Percy Pursglove, flugelhorn then Rob Cope, baritone, followed by other unnamed soloists from within the sections. A recording on this scale is an ambitious undertaking – both musically and financially – and Fragment succeeds magnificently.

Jonathan Silk leads from the front on the title track. A dynamic composition, several solo spots – including Andy Bunting, piano and Thomas Seminar Ford, guitar – are framed by cracking section work from all concerned. Silk’s broad palette has perhaps been coloured by mentors Vince Mendoza and Maria Schneider. Fool’s Paradise hears the multi-layers of high-octane NYC Monday night outfits yet the composer asserts his right to apply the brakes, signal a (flugel) change of direction before releasing the hand brake once more.

All compositions are by Jonathan Silk. The drummer’s writing avoids the possibility of a ‘jazz and strings’ mish mash; strings are given breathing space, the horn players are given plenty of space to play the jazz. Recorded in January 2016, Silk acknowledges a range of funders (including the BBC Performing Arts Fund) in the making of Fragment. A case of money well spent.                           
Russell.
Andrew Bain (conductor), Percy Pursglove (flugelhorn), Mike Fletcher (alto saxophone, flute), Chris Maddock (alto saxophone), John Fleming (tenor saxophone), Joe Wright (tenor saxophone), Rob Cope (baritone saxophone, bass clarinet); trumpet & flugelhorn: Tom Walsh, Reuben Fowler, Mike Adlington, Matt Gough; trombone: Kieran Mcleod, Richard Foote, Yusuf Narcin; Andy Johnson (tuba), Thomas Seminar Ford (guitar), Andy Bunting (piano, Nord), Toby Boalch (piano, Nord), Nick Jurd (double bass, electric bass), Jonathan Silk (drums), Tom Chapman (percussion); + violin: Emily Tyrrell (leader), Katrina Davies, Sarah Farmer, Ning-Ning Li, Beth Bellis, Kathryn Coleman, Zhivko Georgiev, Pei Ann Yeoh; viola: Victoria Strudwick, Eileen Smith; cello: Lucy French, Katy Nagle; double bass: Ayse Osman 


Fragment by Jonathan Silk is released on Friday 4th November on Stoney Lane Records (#SLR1977)      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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