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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 29, 2016

CD Review: The Big Shake-up.

Jon Stokes (tmb); Jean-Paul Gervasoni, Paul Munday, Gavin Broom;(tpt/flug); Sam Bullard (alt/ten); Gemma Moore (bar/fl); Mike Poyser (sousa); Jimmy Norden (dms/perc); Sharleen Linton (vcl).
(Review by Lance).
You start feeling old when you see Dave O'Higgins  (composer of the title track) referred to in the notes as a British Jazz Legend! To me, a British Jazz Legend is Nat Gonella, Tubby Hayes, Humph,     Ronnie etc. However, as O'Higgins is now 52 he may well be approaching that accolade although I still think of him as one of the rising stars! I mean, in jazz you've got to be either dead or pretty close to it to become a legend!

The Big Shake-Up, formerly known as Bad Ass Brass, are indeed brass heavy but not, despite the title track, a Dirty Dozen marching street band. If they do any marching it will be on slightly up-market avenues. This is not to, in any way, denigrate the music which is superb. Arranged by Callum Au, who is fast becoming a force in British jazz since I first heard his big band at the Spice of Life a few years back, Callum sets his stall out well. Check it out at the Elgar Room in the pomp and circumstance of the Royal Albert Hall (London) on November 20 as part of the EFG London Jazz Festival,
Other than Linton's vocal on God Bless the Child and O'Higgins' piece, the others are by Russell Bennett. Worth a spin.
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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