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Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Friday February 23

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Dock in Absolute - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £10.00. (£8.00 concessions).

James Taylor Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. £16.00. Doors 7pm.

Bullfrog Blues Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Crooners - Forum Theatre, Queensway, Billingham, Stockton on Tees TS23 2LJ. Tel: 01642 552663. 7:30pm. £20.00. Touring comedy Rat Pack production with Chris Hibbard’s nine piece Mini Big Band.

King Bees - Magnesia Bank, Camden Street, North Shields NE30 1NH. 9:00pm. Free.

Shamans Jazz Quartet + Collective Folamour - The Hearth, Main Road, Horsley NE15 0NT. Tel: 01661 853563. 7:30pm. £5.00.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 23, 2016

Michael Woods @ The Lit & Phil. September 23

Michael Woods (guitar & vocals)
(Review by Russell)
Newcastle based Michael Woods opened and closed his Lit & Phil lunchtime set of fifty minutes playing his six string Taylor acoustic. The regional folklore of Salter’s Bridge to begin, a string of American country blues to follow; Ain’t No Tellin’, Deep Ellum and an excellent take on Blind Blake’s Excuse Me, Mr Phelps? Mississippi Blues (Willie Brown) a final tune, for now, on the Taylor.
Resonator time! Picking up his custom made pride and joy, Woods jumped aboard a fast travellin’ freight train in the company of Leadbelly, Robert Johnson and Blind Boy Fuller by way of Ry Cooder, Keith Richards and Sam Mitchell, singing and playing a bottleneck blues compendium of classic tunes. The softly spoken Woods made the case for ‘a sort of County Durham blues’ courtesy of Tommy Armstrong, circa 1892. Austerity times, 1892, fast forward to 2016, plus ça change? Woods observed that the Rolling Stones’ early, and for some, best material, was all in open G tuning. So, we got Love in Vain, not quite a Get Yer Ya-Ya’s Out! ‘Keef’ and Mick (Taylor) showcase, more like a Michael Woods’ down home Lit and Phil take in the lee of Central Station…When the train left the station…the blue light was my blues…
To close, Martin in hand, the left handed Woods returned to his East Coast Fret album to play an original composition – Blink of an Eye; Tyneside’s heavy engineering skills once more on the world stage designing, constructing and securing the Gateshead Millennium Bridge across the Tyne. Check out Michael Woods at: www.michaelwoodsmusic.com.
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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