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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Monday December 18

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Evening

Monday Music Appreciation Social - Cumberland Arms, James Place St, Byker, Newcastle NE6 1LD. 8:30pm. Free. Duke Ellington: The Nutcracker Suite. CD played in full, in the bar.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 17, 2016

CD Review: Barney Kessel - Live At the Jazz Mill 1954

Barney Kessel (guitar); Pete Jolly (piano); Gene Stoffali (bass); Art Kile (drums).
(Review by Maurice J. Summerfield).
In 1954 Barney Kessel was only 31 years old yet he had already had been, in the late 1940’s, the featured guitarist in the Artie Shaw, Charlie Barnet and Benny Goodman bands.  In 1947 he was a member of Charlie Parker’s All Stars and, in 1952 -1953, toured the world with Norman Granz’s JATP package both as a soloist and as an integral part of the Oscar Peterson Trio.  
Kessel also featured as sideman/soloist on dozens of jazz recordings produced by Norman Granz including groups as disparate as those led by Lester Young, Benny Carter, Charlie Parker, Billie Holiday, Ella Fitzgerald, Anita O’Day, Kid Ory, Art Tatum, Oscar Peterson, Ben Webster, Harry Edison, Buddy De Franco, Buddy Rich and many other jazz greats.
Leonard Feather wrote in Downbeat, that Barney Kessel is as lyrical a guitarist as we have in jazz today, and is also a rhythmic natural who can outswing any man in the house.
This 62 years old, newly discovered, recording confirms that Feather was 100% correct. Taped by a, then 21-year old, jazz fan Jack Miller, the tracks have been selected from those recorded by Miller during Kessel’s ten-night residency at the ‘Jazz Mill’ club in Phoenix, Arizona backed by the Pete Jolly Trio.
The quality of the recording is surprisingly good.   Released 12 years after the great jazz musician’s death, this CD (also available on vinyl) shows Kessel at his swinging best and as such is a must for jazz guitar lovers.  Songs featured on the recording are Strike up the Band, How About You, Get Happy, Stardust, Seven come Eleven, Rose Room, Somebody Loves Me and Embraceable You.  Pete Jolly fans will also be delighted at the discovery of this early recording. 
Kessel is at the height of his powers here and one which I heartily recommend. My only small complaint is the CD, at 42.03 minutes, is a bit short by today’s norm although  vinyl fans might not complain!.
Maurice J. Summerfield.

1 comment :

Russell said...

A new release, great! Off to JG Windows to see if they've got a vinyl copy!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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