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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Wednesday, May 04, 2016

CD Review: Delta Saxophone Quartet with Gwilym Simcock – Crimson!

Gwilym Simcock (pianoforte), Graeme Blevins (soprano saxophone), Pete Whyman (alto saxophone), Tim Holmes (tenor saxophone) & Chris Caldwell (baritone saxophone)
(Review by Russell)
The saxophone quartet is a familiar unit to both a classical audience and a jazz audience. A classical enthusiast will listen to a Haydn string quartet at home or in the concert hall without looking around for the jazz fan’s rhythm section comfort blanket. On this Basho Records’ CD the Delta Saxophone Quartet’s approach was to commission a cross-genre work from Gwilym Simcock to arrange for strings and pianoforte.
The ‘prog rock’ band King Crimson provided the source material and a musical link. An earlier association with Bill Bruford’s Earthworks gave Simcock an insight to a world of extended rock (frequently jazz-rock inflected) pieces, with drummer Bruford an alumnus of a late incarnation of King Crimson. This beautifully recorded new release comes in at just under forty-five minutes. Six tracks, the first of them – A Kind of Red – is a Simcock composition, the others a reworking of King Crimson’s output spanning twenty years or more.
The Deltas’ jazz credentials are secure with the participation of the likes of Pete Whyman (alto) having worked with Mike Westbrook and Simcock’s upbringing in classical music make for an empathetic meeting of minds. Whyman’s soprano on the opening track hears Simcock’s pianoforte (‘pianoforte’, one for the classical buffs) comping and meeting the saxophonist at the other end. VROOM/Coda: Marine 475 from King Crimson’s THRAK (1995) – a prog rock title if ever there was one! – veers from an urgent rock pulse via the tenor saxophone of Tim Holmes to filmic minimalism.
The Night Watch from 1974’s Starless and Bible Black incorporates everything. Yes, that well-known prog rock gumbo; collective expressionism (Lark Ascending stuff), anthemic glory, elegant tenor, ruminating piano, a sustained final chord brilliantly recorded by the band’s soprano saxophonist Graeme Blevins doubling up as recording engineer. THRAK yields another tune (all prog rock ten minutes and fifty-nine seconds of it); Dinosaur. An open invitation awaits…Dinosaur…prog rock…nuff said. Much going on here, a bluesy pianoforte, Whyman prominent, great urgency.
The closing number – The Great Deceiver from Starless and Bible Black – showcases the jazz chops of all concerned; flying reeds, arresting voicings, a Blevins and Whyman dual.
Russell.
Crimson! by the Delta Saxophone Quartet is available now on Basho Records SRCD 50-2. The album’s accompanying notes includes an informative essay by Sid Smith from Whitley Bay.

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