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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Monday November 20

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. Tel: 0191 488 0954. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, January 27, 2016

Alice Grace Quintet @ Jazz Café - Jan. 26.

Alice Grace (vcl); Paul Gowland (ten/alt/sop); Pete Gilligan (pno); Paul Grainger (bs); Russ Morgan (dms).
(Review by Lance/photo courtesy of Mike Tilley).
Second gig in nine days for the quintet - I'd have been even happier if it had been the second gig in two days!
Like the Hoochie Coochie session a week gone Sunday this was another memorable occasion both visually and aurally. I say visually, not only because of the killer heels and the traffic stopping dress that Ms Grace had had painted on but also the changed appearance of drummer Morgan. Amazing what wonders a tonsorial artist can perform.
Aurally, there was also much musical artistry going on.
Just as Alice gave a lift to Love You Didn't Do Right by me, at Hoochie (reprised again last night), She also came up with a song from Doris Day's first film - Romance on the High Seas - It's You or No One. The film was also shown as It's Magic and that's what this was, pure magic. In particular, the Lee Konitz related unison passage between singer and sax that rounded the piece off.
So many highlights that I'd run out of superlatives if I tried to list them all; suffice to say that the tribute to you know who, Is There Life on Mars? done with just voice and piano, was right up there.
Morgan's hand drumming on Secret Love, the fours between alto and voice then voice and bass on When Lights Are Low, the scat chorus à la Sarah Vaughan on If I Knew Then What I Know Now, Gilligan's sympathetic accompaniment to Autumn Nocturne, Grainger's beard... all worthy of being noted.
This is one band that just gets better and better.
Lance.

1 comment :

Patti D (on F/b) said...

It was a fabulous gig - Alice and all the guys were brilliant!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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