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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Wednesday August 23

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.
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Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 27, 2015

CD Review: Home Away From Home – The Colours Jazz Orchestra Plays the Music of Ayn Inserto

(Review by Dave Brownlow)
This is a startling album from the outstanding Composer/Arranger Ayn Inserto and the Colours Jazz Orchestra. Since 1999 Ayn has been steadily making a name for herself in the U.S. receiving countless awards but is, currently, perhaps less well-known in the U.K.
A musician writing avant-garde charts in sound, taking risks and creating some of the most complex, sophisticated, and clever music I’ve ever heard.
 Smooth-jazz this is not!
Ayn, an Associate Professor of Jazz Composition at Berklee College originally from Singapore,  and a pupil of Bob Brookmeyer in his latter years – he appeared as a soloist on her second album. Brookmeyer's influence can be felt throughout these seven pieces.
The Colours Jazz Orchestra, an Italian group led by Massimo Morganti, face the fierce challenge of playing this difficult music with aplomb.
You’re Leaving? But I Just Got Here is an “animated conversation” between orchestra and drums where sinuous lines of melody weave in and out. La Maida, Giardini and the orchestra add to the discussion and it all ends amicably.
Joe Henderson’s Recorda Me starts with dissonance throughout the intro before flowing into a tasteful reading of the theme. An elegant tenor solo from Sebastianelli complete with moments from ‘outside’ lead to a nicely resolved, quieter, ending.
Hang Around - a funky, swinging groove with accents in unexpected places – how far out can a blues go? This is further out than George Russell’s Blues In Orbit or Sun Ra’s Saturn! Soloists include Morganti, La Maida and Manzi.
La Danza Infinita, a stately dance in ¾ time begins with a melancholy woodwind ensemble leading into a multi-layered section of melody, counter-melody and more trombone from Morganti. Finally, the brass ‘Choir’ restates the theme in ‘Chorale’ style.
Down A Rabbit Hole, an up-tempo, technical ‘tour de force’ - the theme a headlong dash of clashing, interwoven lines full of unexpected twists and surprises – challenging for players and listener alike! Sebastianelli has the tenor solo.
Wintry Mix, a flowing blend of themes in a reflective mode. Brass, woodwinds, saxes, guitar and Marinelli's piano constantly intersect and interact.
Finally, Daniel Rosenthal's Subo, a festive, fiesta calypso and, perhaps. the most ‘conventional’ track on the album with solos from guitar, trombone, baritone and alto saxes.
Two quotes about Ayn Inserto are worth repeating here; “She’s Maria Schneider on steroids”! (Harvey Siders –Jazz Times Sept 2007).
Fred Hersch says “Ayn Inserto is in the forefront of a new generation of jazz composers who are accomplished, ambitious and truly personal.”
“Bravo Ayn” I say………
Dave B
CD available on NEUKLANG NCD 4097
Simone La Maida, Maurizio Moscatelli, Filippo Sebastianelli, Antonangelo Giudice, Marco Postacchini, (Saxes & Woodwinds); Giorgio Caselli, Luca Giardini, Giacomo Uncini, Samuele Garofoli, Jeff Claassen, (Trumpets); Massimo Morganti – Leader – Carlo Piermartire, Luca Pernici, Pierluigi Bastioli, (Trombones); Emilio Marinelli, (piano); Luca Pecchia, (Guitar); Gabriele Pesaresi;, (Bass); Massimo Manzi, (Drums). 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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