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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Friday August 18

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Levee Ramblers New Orleans Quartet - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening
Kentucky Cowtippers - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Ray Johnson & Richard Herdman - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 8pm.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, August 27, 2015

CD Review: Daniel Fortin - Brinks.

David French (ten); Michael Davidson (vbs); Daniel Fortin (bs/comp); Fabio Ragnelli (dms).
(Review by Lance).
An interesting release by Toronto based bassist Fortin. This, his debut album, brings to mind the latter days of the Modern Jazz Quartet. It could well have been the path they followed had they still been around. Davidson's vibes certainly have an affinity with Milt Jackson both sound-wise and in his phraseology. The use of tenor could also be related to the group Stan Getz had with Gary Burton.
However, the overall mode and the compositions are in a more contemporary vein which is both the strength and weakness of the album. The strength lies in the many beautiful passages that are present in abundance.  The weakness is that it's rather like opening a box of chocolates and finding they are all marzipan fillings. I found myself longing for just a little bit more straight ahead swing. Like MJQ, when Jackson was set free, so it is here with Davidson providing the sounds I want to hear although French's workout on Smithereen is also worth hearing.
Fortin is a composer of merit and an able plus bassist whilst Ragnelli does the business coping with the varying modes dealt up.
Apologies to all, but this didn't quite tick the boxes for a post-luddite like me. Nothing I could pinpoint, in fact, paradoxically, I enjoyed each and every track individually but, overall, I found the long haul had me wondering what's on TV and I rarely watch TV!
Lance 

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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