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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 20, 2015

CD Review: Elina Duni Quartet - Dallendyshe (Swallow)

Elina Duni (voice); Colin Vallon (piano); Patrice Moret (bass); Norbert Pfammatter (drums)
(Review by Ann Alex)
This CD is a wonderful example of a successful marrying of jazz and folk music.  It is my CD of the Month for April, even though all the singing is in Eastern European languages such as Albanian.  We reviewers here at BSH get to keep CD’s that we review, but I sometimes have to return mine to Lance for lack of space.  However, there’s no way he’s getting his paws on this one!
Each of the 12 tracks has the unmistakable yearning sound of Eastern Europe with some hints of Arabic tones and yet the jazz influence is well-present, tastefully heard from piano, bass and ever so subtle drumming.  The songs are about loss and exile but, as stated in the notes supplied, the pain is sung or danced away, rather like the feel of blues music, sadness with attitude is how I’d describe it.  The voice is expressive and the songs have titles such as Fellenza (The Partridge); Kur Te Pashe (When I Saw You); Taksirat (The Mishap). A booklet with translations into English is supplied, but there is great pleasure in just listening to the singing, as I found the language to be very attractive.
Take track 2 as an example, Syte (The Eyes).  This begins with an Eastern European tune, light drums, subtle bass and a build up of tension towards the end.  But then the very end is a fast dance which you could imagine being danced at a village wedding.  ‘My eyes wet with tears for you, don’t you ache for me the least?  The arrangements of the songs cleverly prevent any sentimentality.  
It goes without saying that the singing and musicianship is well up to the job on this CD, which is Ms Duni’s 2nd Cd with ECM.  It was released on April 13 - catalogue number 470 9282.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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