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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Monday, January 19, 2015

Chris Standring Quartet @ The (Jazz Co-op) Globe Jazz Bar - January 17

Chris Standring (gtr); Alex Bennett (keys); Phil Mulford (bs); Jack Pollitt (dms).
(Review/photo by Ken Drew).
Chris Standring attracted a large audience to the Globe – 30+ in pre-sales - with many coming from as far afield as Durham, Teesside and Edinburgh eager to see this popular LA guitarist.  The trio supporting him are from SE England and what a Band they form! As solidly tight and polished as Clark Tracey’s quintet which performed here in November.   
A totally different style to mainstream, straight ahead  or improv jazz, the music was totally funk and groove based (not sure where the Smooth Jazz label comes from) but the audience thoroughly enjoyed the driving funk rhythms.  It’s not a style of jazz I’ve followed – but many obviously do, as seen by the keen attendance of his UK fans here in the North.  Chris lets the groove (along with his loyal archtop Benedetto) do all the talking (“You can never get enough of a good groove.”  says Chris) and together with the whole band produces a mix of soul-funk-jazz overlaid with a rich soundscape of guitar and piano/organ electronica vibe.
Chris’s guitar playing was spot on throughout, playing several techniques with ease across different styles and rhythms, the drumming (Jack Pollitt) was constantly driving yet varied with maestro solos by Alex Bennett on keys and Phil Mulford on bass.  The standout exception to the funk was the Jobim number  How Insensitive in the second set which provided a more gentle pace and a wonderful contrast bringing the guitar (and Chris’s musicianship) centre stage.  
On their way out, the audience had obviously enjoyed the night and those that I spoke to thought making the trip to the Globe Jazz Bar was well worthwhile.  Another successful night, drawing in many new faces to the still-developing venue.
Ken D.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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