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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 28, 2014

Saxophonics @ The Jazz Café. September 26

Keith Robinson (alto), Steve Summers (alto & tenor), Graeme Wilson (tenor) & Niall Armstrong (baritone)
(Review by Russell/photo courtesy of Mike Tilley.)
Friday night in the Jazz Café and it wasn’t too busy. The listening few enjoyed another fine performance from the supremely talented saxophone quartet Saxophonics. Keith Robinson led the ensemble through two sets of well-honed material, much of it composed and/or arranged by the versatile Graeme Wilson. Twenty four hours earlier the amiable Scot had been on stage at Sage Gateshead as a member of the Paul Edis Sextet. Altoists Robinson and Steve Summers similarly were on duty with the Strictly Smokin’ Big Band the previous evening down at the Millstone.
Wilson’s Street of Furs kicked-off proceedings. The eponymous track from the quartet’s recently released CD The River Flows at Night (comp.Wilson), a fabulous Wilson arrangement of Come Fly with Me and Wilson’s The New Wallaw (echoes of the Voice of the North) illustrated the Honourary Geordie’s multifaceted abilities. Robinson played some bluesy alto on In the Wee Small Hours. Itchy Fingers were in the well-thumbed pad, so too the 29th Street, Dizzy and Fats Waller. Wilson’s Damfino is a Desert Island favourite – it was in the set, it should be a fixture. Saxophonics always come up trumps; fine musicianship anchored by baritone man Niall Armstrong, excellent compositions and arrangements and if you’re lucky, you’ll get a twirl. A twirl? Be there next time!
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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