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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Tuesday August 22

Afternoon
??????
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 13, 2014

CD Review: Scottish National Jazz Orchestra featuring Bobby Wellins - Culloden Moor Suite

Bobby Wellins (ten) w. SNJO led by Tommy Smith.
(Review by Lance).
You've got to hand it to them, they do it every year! The Scottish National Jazz Orchestra never fail to come up with a winner. Last year it was In the Spirit of Duke, this year it's  Bobby Wellins' Culloden Moor Suite featuring the composer himself on tenor sax.
Originally recorded by Wellins' Quartet over 50 years ago this big band version (a specially commissioned orchestration by Florian Ross) captures the drama, the bloodyness of battle, the emotive air of tragedy on the killing fields that was Culloden Moor in 1746. Wellins pours his Scottish soul into this epic musical enactment of that dark historical chapter. Perhaps no one could portray it better than the Glasgow born saxophonist, nor could he find a more supportive army than the first battalion of the Scottish National Jazz Orchestra.
This is one of those suites that rise above genre like Ellington's Such Sweet Thunder; Under Milk Wood  by Stan Tracey -  Wellins' associate at the time of the original composition - or the Gil Evan's/Miles Davis collaborations. 
Wellins, one of the all-time British greats of the tenor saxophone, is as emotive in his playing as his compositions are in his writing, and the beauty of his tone contrasts perfectly with the aura of death that pervades.
The band are superb in support with Cosker's drums conveying a Highlandsian mood without losing the jazz element. Tom MacNiven makes telling contributions whilst pianist Hamilton is the voice of sympathy throughout.
A major work due for release on Sept. 15 (3 days before "that vote") on Spartacus Records.
Lance. 
Ryan Quigley, Jay Cameron, Lorne Cowieson, Tom MacNiven (tpts); Chris Greive, Kieran McLeod, Michael Owers, Lorna McDonald (tmb); Martin Kershaw, Paul Towndrow, Tommy Smith, Konrad Wiszniewski, Bill Fleming (saxes); Steve Hamilton )pno); Brodie Jarvie (bs); Alyn Cosker (dms); Florian Ross (arr).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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