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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, August 24, 2014

CD Review: Nancy Kelly - B That Way.

Nancy Kelly (vcl); Dino Losito (B3); Jerry Weldon (ten); Peter Bernstein (gtr); Carmen Intorre (dms).
(Review by Lance).
Yet another vocalist! They sprout overnight like mushrooms - on both sides of The Pond. 
The Huffington Post describes mushrooms as: ...They can even be magical. They have the ability to add a depth of flavour to our dishes that is otherwise unattainable.
Ms Kelly is just such a delicacy - perhaps a Chanterelle (fruity and peppery) - and she certainly makes her mark on this, her long awaited 5th CD and her first with the B3 line-up.
B That Way is one of those discs that grab you from track one (Come Back to Me). Voice, Hammond B3, tenor, guitar and drums groovin' as one.
Kelly can handle a song as good as anyone. She does it with feeling without being over dramatic. The pitching is spot on even when making the occasional swoop up into the rafters and she exudes warmth on poignant ballads such as Don't Explain, Don't Worry 'Bout me and Don't Go To Strangers. Billie's Bounce (inexplicably called Billy's Bounce on the sleeve) moves at a fair lick, as befits a bebop classic, and Kelly handles the Jon Hendricks' lyric with ease bringing to mind Annie Ross' Twisted.
Losito treats the B3 intelligently and with restraint albeit without any lack of swing. A name to reckon with. Weldon blows lyrical, straight down the middle tenor - a joy to hear in these days of extremism. Likewise Bernstein makes every note count and Intorre keeps the ship afloat and on course. One of the numbers that really hits the spot is Please Don't Talk About Me When I'm Gone.
An impossible request! I'm going to be talking about Nancy Kelly long term!
Lance.
Available on BlueBay Records.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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