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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 25, 2014

CD Review:Wolfgang Muthspiel - Driftwood

Wolfgang Muthspiel (guitar); Larry Grenadier (double bass); Brian Blade (drums).
(Review by Hugh Cochrane)
Driftwood, the début CD for ECM as leader from Wolfgang Muthspiel, comes with full jazz credentials and features Larry Grenadier on bass and Brian Blade on drums. This album is the first time that these three musicians have come together as a trio, but Muthspiel has played with each of the other members of the triumvirate individually over many years.
Muthspiel, Austrian by birth, is schooled in both the classical and jazz guitar traditions and as well as his jazz projects, writes for contemporary classical music ensembles. On this disc he plays both acoustic and electric instruments. The disc, recorded in Oslo, is very much in the ECM landscape, and indeed Muthspiel was thinking about Manfred Eicher's sound aesthetic when composing for the album.
The disc has eight tracks, coming in at just over 43 minutes in total. After the darkly melodic first track, Joseph (after fellow Austrian Joe Zawinul) comes the upbeat Uptown. The moody Cambiata follows – it almost feels like we have entered the deserted set of a Western. The tempo hots up again in Highline, with some beautiful bowed bass from Larry Grenadier. The title track, Driftwood, follows - this is a free improvisation with Muthspiel on acoustic guitar. Lichtzelle is a free spirited duet between Muthspiel on electric and Blade on percussion – composed on the spot as Blade had never heard the piece before. Madame Vonn is a ballad composed by Muthspiel for the olympic skier Lindsey Vonn following a terrible crash in a race. The final track Bossa for Michael Brecker is a tribute to the late saxophonist's playing style, much admired by Muthspiel.
The overall feel of this disc is deeply atmospheric, in line with the ECM style and the moody packaging of the product. The subtlety of interplay between the three musicians is very evident. This would be a great gig in the round in Hall 2 at Sage Gateshead (Ros Rigby take note!).
There are plans for a European tour next year by the Dino Saluzzi group. To hear Wolfgang Muthspiel, however, it will be necessary to travel to Australia at the beginning of the forthcoming antipodean spring – shame, eh?
Hugh C.
ECM. Catalogue No. 375 6400 now available.

1 comment :

  1. Yes, it would have been nice to hear Muthspiel in the UK.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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